BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Daum Museum of Contemporary Art - ECPv6.15.12.2//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Daum Museum of Contemporary Art X-ORIGINAL-URL:https://www.daummuseum.org X-WR-CALDESC:Events for Daum Museum of Contemporary Art REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Chicago BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20220313T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20221106T070000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20230312T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20231105T070000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20240310T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20241103T070000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20250309T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20251102T070000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20260308T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20261101T070000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20270314T080000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20271107T070000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Chicago:20251027T173000 DTEND;TZID=America/Chicago:20251027T183000 DTSTAMP:20260726T111107 CREATED:20251009T151314Z LAST-MODIFIED:20251009T151658Z UID:8728-1761586200-1761589800@www.daummuseum.org SUMMARY:Yoga at the Daum DESCRIPTION:Join us for a free yoga session inside the inspiring galleries of the Daum Museum of Contemporary Art.\nMove\, breathe\, and flow.\nFind your balance surrounded by art. \nTaught by: \nDr. Nikki Freeman\, Owner of Balanced State Wellness\, LLC. \nNikki has been teaching Yoga for nearly eight years in and around Sedalia. She specializes in Hatha and Yin\, while also including mobility\, strength and breathwork in each class. Nikki’s teaching philosophy is rooted in restoring balance to the physical\, mental and emotional state. \n Date & Time: Monday\, October 27 from 5:30-6:30pm.\n Location: Daum Museum of Contemporary Art\, Sedalia\, MO\n Cost: Free or donations welcome\n Registration: Click here \nAll levels are welcome! Please bring your own yoga mat and water bottle. \nLet art and movement ground your mind\, body\, and spirit.  URL:https://www.daummuseum.org/event/yoga-at-the-daum-2/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2025/09/Capture-yoga.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20251022T153000 DTEND;TZID=America/Chicago:20251022T170000 DTSTAMP:20260726T111107 CREATED:20251009T145301Z LAST-MODIFIED:20251009T145353Z UID:8725-1761147000-1761152400@www.daummuseum.org SUMMARY:Artist Talk: The Patrons DESCRIPTION:Join us for an engaging artist talk exploring The Patrons\, a groundbreaking initiative empowering emerging artists through collaboration and mentorship\, featuring Bryce Holt\, whose vibrant\, story-driven pop surrealism invites you to step into alternate worlds and reimagine the power of narrative in art. The conversation will also explore the intersection of art\, creative writing\, and the business of establishing a sustainable creative practice. \nDate: Wednesday\, October 22\, 2025 \nTime: 3:30 to 5:00 PM \nWhere: Freed Gallery\, at the Daum Museum on the State Fair Community College Campus\, 3201 W. 16th street\, Sedalia\, MO 65301 URL:https://www.daummuseum.org/event/artist-talk-the-patrons/ CATEGORIES:Artist Lecture,Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2025/10/Kyle-and-Bryce-in-studio-sm-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20250929T173000 DTEND;TZID=America/Chicago:20250929T183000 DTSTAMP:20260726T111107 CREATED:20250909T162402Z LAST-MODIFIED:20250909T162749Z UID:8652-1759167000-1759170600@www.daummuseum.org SUMMARY:Yoga at the Daum DESCRIPTION:  \n \nJoin us for a free yoga session inside the inspiring galleries of the Daum Museum of Contemporary Art.\nMove\, breathe\, and flow.\nFind your balance surrounded by art. \nDr. Nikki Freeman\, Owner of Balanced State Wellness\, LLC. \nNikki has been teaching Yoga for nearly eight years in and around Sedalia. She specializes in Hatha and Yin\, while also including mobility\, strength and breathwork in each class. Nikki’s teaching philosophy is rooted in restoring balance to the physical\, mental and emotional state. \n🗓 Date & Time: Monday Sep. 29th from 5:30-6:30pm.\n📍 Location: Daum Museum of Contemporary Art\, Sedalia\, MO\n💵 Cost: Free\n🎟 Registration: Click here \nAll levels are welcome! Please bring your own yoga mat and water bottle. \nLet art and movement ground your mind\, body\, and spirit. 🌿 URL:https://www.daummuseum.org/event/yoga-at-the-daum/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2025/09/Capture-yoga.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20250918T080000 DTEND;TZID=America/Chicago:20260322T170000 DTSTAMP:20260726T111107 CREATED:20250819T150026Z LAST-MODIFIED:20250924T204542Z UID:8634-1758182400-1774198800@www.daummuseum.org SUMMARY:Growth & Decay DESCRIPTION:Raymon Elozua\, "#14 Transfer Slips-A"\, stoneware\, mixed media\, plywood\, wood frame "Growth & Decay" installation view. "Growth & Decay" installation view. "Growth & Decay" installation view. "Growth & Decay" installation view. Kira Kalondy Enriquez Loya\, "Spores"\, 2011\, glazed earthenware "Growth & Decay" installation view. "Growth & Decay" installation view. "Growth & Decay" installation view. "Growth & Decay" installation view. Gretchen Scharnagl\, "Eight Crow Reliquaries"\, ceramic and mixed media "Growth & Decay" installation view. "Growth & Decay" installation view. "Growth & Decay" installation view. Ken Ferguson\, "Platter with Running Hare"\, 1998; stoneware "Growth & Decay" installation view. "Growth & Decay" installation view. Arthur Gonzalez\, "Sprout"\, 2000\, glazed earthenware \nThis exhibition considers growth and decay as interdependent forces within a cyclical continuum. Decay\, often regarded as an endpoint\, is instead a generative process through which matter is transformed rather than extinguished. Organic life decomposes\, metals corrode\, and materials undergo transformation\, underscoring the fundamental condition of existence.\nArthur González’s Sprout exemplifies this principle by staging renewal through the proliferation of mold and mushrooms\, which are agents that return matter to the earth and make possible new beginnings. Gretchen Scharnagl’s Eight Crow Reliquaries reframes the remnants of natural decay as objects of preservation and contemplation\, embedding animal bones within reliquary forms that invite reverence rather than aversion. Together\, these works highlight decay as a site of endurance and adaptation\, where the boundaries between ending and beginning collapse into ongoing transformation.\n\nThis exhibition was curated in collaboration with Daum Museum intern Lauren Wagner\, a Mizzou ceramics student\, with Museum Director Garry Holstein. URL:https://www.daummuseum.org/event/growth-decay/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2025/08/A_2004.11-a-b_JPG.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250918 DTEND;VALUE=DATE:20260302 DTSTAMP:20260726T111107 CREATED:20250717T204818Z LAST-MODIFIED:20250924T204028Z UID:8614-1758153600-1772409599@www.daummuseum.org SUMMARY:Lindsey Dunnagan: Temporal Terrain DESCRIPTION:“This series is a pleasure project inspired by my childhood of growing up in Anchorage\, Alaska\, where I spent time by the ocean and watched the sky for the Aurora Borealis. The work takes Alaskan imagery and abstractly layers it in a way that references memory. As my place of origin\, it captures a kind of playful magic that I connect with Alaska. When I was a child\, my dad gave me a film camera\, and I took as many photographs of the landscape as I could. Upon rediscovering this childhood archive in albums and bags\, I started to collage the photos with more recent images\, making a constructed landscape. In my oil paintings\, these landscapes are manipulated and layered to give the instantaneous impression of a place that can only exist in memory. The shape of the panels references a portal that leads to these memories. \nConversely\, the mixed media paper artworks are a practice in deconstruction. First\, I zoom in on a detail in an oil painting from this series and recreate it on a large sheet of watercolor paper. Next\, I cut it into shapes like mountains\, glaciers\, and fish nets\, elements of the Alaskan landscape. This act of creating and destroying a painting in order to make something new allows space for pure play; it is a kind of call and response that is reminiscent of childhood games. Finally\, I layer the paper to distort perception. For example\, what looks like a shadow is usually on the top layer while what should be positive space is below the surface. The process of making this work parallels my glance back at childhood and its inseparable connection to the Alaskan landscape. By manipulating shapes from the place that I love\, the series evokes a Panglossian nostalgia.” -Lindsey Dunnagan \n– \nAbout the artist: \nLindsey uses diverse techniques to explore human interaction with the natural environment. Her artwork connects humanity to nature in small ways and large. At the intimate level\, she tells stories of home and identity. On a larger scale\, she considers our spiritual ties to nature. Her work is an investigation of micro and macro personal connections and a reminder of the space we traverse. Lindsey is a three-time Hunting Art Prize Finalist and has shown nationally in solo and juried exhibitions. Her work was published in the 120 West edition of New American Paintings. Lindsey was born in Anchorage\, Alaska and eventually moved to Texas where she earned a Bachelor of Environmental Design in Architecture from Texas A&M in 2007. After college\, she worked as an architectural intern before deciding to join the US Peace Corps. From 2007 – 2009\, Lindsey worked with artisans as a Small Business Development Volunteer in Morocco. In 2014 Lindsey completed a Master of Fine Arts in Painting and Drawing and in 2015 she finished a Master of Arts in Art History from Texas Woman’s University. Lindsey is an Associate Professor of Art and runs the painting department at Truman State University in Kirksville\, Missouri. \nFor more information about Lindsey Dunnagan and her work\, visit her website: https://www.lindseydunnagan.com/. \nLindsey Dunnagan\, "Clear escape"\, 2023; oil on panel. "Temporal Terrain" installation view. "Temporal Terrain" installation view. "Temporal Terrain" installation view. "Temporal Terrain" installation view. "Temporal Terrain" installation view. "Temporal Terrain" installation view. "Temporal Terrain" installation view. "Temporal Terrain" installation view. "Temporal Terrain" installation view. Lindsey Dunnagan\, "Descending Ether"\, 2022; oil on panel. "Temporal Terrain" installation view. "Temporal Terrain" installation view. "Temporal Terrain" installation view. Lindsey Dunnagan\, "Morning Hush"\, 2022; oil on panel. URL:https://www.daummuseum.org/event/lindsey-dunnagan/ CATEGORIES:Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2025/07/Descending-Ether-2022-oil-on-panel-edit.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250918 DTEND;VALUE=DATE:20260302 DTSTAMP:20260726T111107 CREATED:20250717T204034Z LAST-MODIFIED:20250924T203525Z UID:8608-1758153600-1772409599@www.daummuseum.org SUMMARY:The Patrons: Unreliable Narrator DESCRIPTION:An innovative initiative designed to empower and support emerging artists; The Patrons focus on the collaborative aspect of artmaking by building networks of support. Their work fosters a community where artists can thrive through mentorship\, shared knowledge\, and reciprocal exchange. Their approach helps to cultivate new spaces for artistic innovation while nurturing the next generation of voices in the art world. The exhibition will feature the work of Bryce Holt\, whose story-driven pop surrealism is described in his artist statement below. \n“My art is driven by narrative. Before a single brushstroke touches canvas\, a story begins to unfold in my mind. As a self-taught\, figurative artist\, I blend the color and energy of pop art with the dreamlike qualities of surrealism. Each painting is an invitation to explore\, to bring out each person’s internal storyteller through vibrant hues and unexpected juxtapositions. Accompanying each piece is a written narrative\, a glimpse into the world I envisioned as I created the work. However\, I encourage viewers to embrace their own interpretations and to allow their imaginations to travel wherever the art may lead them. My goal is to transport the audience to an alternate world\, spark conversation and contemplation\, and inspire us to embrace the unexpected.” -Bryce Holt \nFor more information on The Patrons\, visit their website: https://www.thepatrons.com/ . \n  \nInstallation view of "Unreliable Narrator". Installation view of "Unreliable Narrator". Bryce Holt\, "Queen of Hearts"\, 2024; acrylic on canvas. Installation view of "Unreliable Narrator". Installation view of "Unreliable Narrator". Installation view of "Unreliable Narrator". Installation view of "Unreliable Narrator". Installation view of "Unreliable Narrator". Installation view of "Unreliable Narrator". Installation view of "Unreliable Narrator". Bryce Holt\, "The Bride"\, 2024; acrylic on canvas. Installation view of "Unreliable Narrator". Installation view of "Unreliable Narrator". Installation view of "Unreliable Narrator". Installation view of "Unreliable Narrator". Installation view of "Unreliable Narrator". Installation view of "Unreliable Narrator". Bryce Holt\, "The Mad Hatter"\, 2024; acrylic on canvas. Installation view of "Unreliable Narrator". Installation view of "Unreliable Narrator". URL:https://www.daummuseum.org/event/the-patrons/ CATEGORIES:Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2025/07/Spiral-Galaxy-2025-acrylic-on-canvas.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20250816T140000 DTEND;TZID=America/Chicago:20250816T160000 DTSTAMP:20260726T111107 CREATED:20250724T210456Z LAST-MODIFIED:20250806T153246Z UID:8625-1755352800-1755360000@www.daummuseum.org SUMMARY:"Nevertheless\, She Persisted" Artist Panel and Reception DESCRIPTION:Join us on Saturday\, August 16\, from 2-4 PM for a lively afternoon with an artist discussion panel\, a photo booth\, a musical performance\, and light refreshments. Wear your craziest pants to honor the suffragettes who wore pants as protest! \nDiscussion theme: “Legacies: Art and the Women Who Persist” \nPanelists: Meganne Rosen\, Olivia Hawk\, Jennifer Linders\, Penny Gordon-Chumbley\, with Sam Evans as a moderator. URL:https://www.daummuseum.org/event/nevertheless-she-persisted-artist-panel-and-reception/ LOCATION:Daum Lobby\, 3201 West 16th Street\, Sedalia\, MO \, Sedalia\, MO\, 65301 CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2025/04/thumbnail_IMG_9574-1-e1753390523250.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250621 DTEND;VALUE=DATE:20251217 DTSTAMP:20260726T111107 CREATED:20250515T185416Z LAST-MODIFIED:20250714T192646Z UID:8465-1750464000-1765929599@www.daummuseum.org SUMMARY:Spectrum DESCRIPTION:Judy Onofrio (American\, b. 1939)\, "Fish Wish"\, 1997; Ceramic\, glass\, wood\, metal\, epoxy\, shell\, and acrylic paint.Judy Onofrio (American\, b. 1939)\, "Fish Wish"\, 1997; Ceramic\, glass\, wood\, metal\, epoxy\, shell\, and acrylic paint. Installation shot of "Spectrum" Installation shot of "Spectrum" Richard Loftis (American\, 1938-2010)\, "4 Chev Pickups"\, 2008; digital print.Richard Loftis (American\, 1938-2010)\, "4 Chev Pickups"\, 2008; digital print. Installation shot of "Spectrum" Installation shot of "Spectrum" Robert Natkin (American\, 1930-2010)\, 1975; acrylic on paper. Installation shot of "Spectrum" Installation shot of "Spectrum" John Gutowski (American\, 1948-2001)\, "Untitled LP-05-81"\, 1981; chromogenic print. Installation shot of "Spectrum" Installation shot of "Spectrum" Marc Leuthold (American\, b. 1962)\, "Mauve"\, 2002-2003; Glazed stoneware.Marc Leuthold (American\, b. 1962)\, "Mauve"\, 2002-2003; Glazed stoneware. Installation shot of "Spectrum" \nSpectrum explores color as both a connective force and a human language. Drawing from the Daum collection\, this exhibition brings together contemporary works that illuminate how color shapes not only what we see\, but also how we relate to space\, to one another\, and ourselves. \nHere\, color is not merely a visual experience\, but a relational one. The vibrant\, saturated fields and delicately modulated hues on view demonstrate how colors interact. They sometimes clash\, harmonize\, amplify\, or dissolve into each other\, mirroring how human beings connect\, contrast\, and coexist. As such\, each artwork in Spectrum becomes a site where color relationships reflect emotional\, cultural\, and personal dynamics. \nThe artists in this exhibition use color to tell stories\, hold memories\, and express identities. In their hands\, color becomes a medium of empathy and understanding and a shared visual vocabulary through which inner worlds become visible. Whether bold or restrained\, abstract or representational\, each piece offers a glimpse into the artist’s lived experience\, inviting viewers to find echoes of their own. \nSpectrum celebrates the power of color to bridge differences\, elicit emotions\, and forge meaning. It is a reminder that color\, like human connection\, is never static or singular. Instead\, it is a relationship that is always shifting\, responding\, and reshaping as it encounters new contexts and new perspectives. We invite you to experience this dynamic interplay and to see\, in color\, the rich spectrum of human relationships it reflects. \n  \n  URL:https://www.daummuseum.org/event/spectrum/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2025/05/A_R_2017.03-a-c_JPG-scaled-e1748635756387.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250621 DTEND;VALUE=DATE:20251217 DTSTAMP:20260726T111107 CREATED:20250515T185211Z LAST-MODIFIED:20250714T184344Z UID:8463-1750464000-1765929599@www.daummuseum.org SUMMARY:Bones\, Blooms\, and Biomes DESCRIPTION:Installation shot of "Bones\, Blooms\, and Biomes" Susan Kemenyffy (American\, b. 1941)\, "Cymbidium Series-Study"\, 1994; lithograph on paper.Susan Kemenyffy (American\, b. 1941)\, "Cymbidium Series-Study"\, 1994; lithograph on paper. Installation shot of "Bones\, Blooms\, and Biomes" Robert Kushner (American\, b. 1949)\, "Species Tulips and Columbines"\, 2013; oil\, acrylic\, palladium leaf on canvas. Installation shot of "Bones\, Blooms\, and Biomes" Joyce Jablonski (American\, 1956-2018)\, "Hearts and Flowers"\, 2000-2005; 100 piece ceramic and brick installation. Installation shot of "Bones\, Blooms\, and Biomes" Installation shot of "Bones\, Blooms\, and Biomes" Installation shot of "Bones\, Blooms\, and Biomes" Robert Dawson (American\, b. 1950)\, "Tree on Large Corporate Farm\, Near Bakersfield\, CA\, from the Great Central Valley Project"\, 1983; gelatin silver print. Installation shot of "Bones\, Blooms\, and Biomes" \nBones\, Blooms\, and Biomes brings together a selection of works from the Daum’s permanent collection that echo and expand upon themes explored by Georgia O’Keeffe. O’Keeffe’s legacy\, often seen through a gendered lens\, is reimagined through the voices of both female and male artists who engage with similar motifs across diverse media\, eras\, and cultural perspectives. From ceramic bones to lush floral forms and expansive landscapes\, these works explore the emotional and symbolic resonance of the natural world\, inviting viewers to reflect on how artists interpret the rhythms of life\, death\, and renewal. \nBones\, Blooms\, and Biomes challenges conventional narratives and broadens the scope of how we speak to the interplay between nature and creativity. The exhibition is meant to offer a rich and layered experience that opens new paths for interpretation and dialogue. The works selected do not seek to mimic O’Keeffe’s style\, but to explore the enduring relevance of her thematic concerns. The selected works demonstrate how artists from a rich array of backgrounds have grappled with the same elemental forces. Their renderings of plants\, bones\, and terrains serve not just as subjects\, but as symbols of identity\, memory\, and transformation. URL:https://www.daummuseum.org/event/bones-blooms-and-biomes/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2025/05/A_2019.04.129_JPG-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250531 DTEND;VALUE=DATE:20250908 DTSTAMP:20260726T111107 CREATED:20250415T162903Z LAST-MODIFIED:20250604T211806Z UID:8455-1748649600-1757289599@www.daummuseum.org SUMMARY:Nevertheless\, She Persisted DESCRIPTION:Women artists face challenges that can inhibit their creative work: raising children\, beginning new careers\, moving to a foreign country\, facing a life-threatening illness\, caring for aging parents\, changing careers in mid-life. \nNevertheless\, She Persisted. \nDespite the unique challenges of womanhood\, or because of these challenges\, women continue to create…to heal\, to express emotions not easily put into words\, because of spiritual or financial necessity\, to connect to a larger community\, to find joy\, to tell stories\, to give back to those who have supported them\, to overcome limitations\, to show the next big idea\, to find one’s way regardless of the lack of permission or acceptance. \nNevertheless\, She Persisted. \nPersistence is our theme. Persistence is our credo. Persistence is our call. \n– \nThe Daum Museum is partnering with a Missouri women’s group based out of Springfield\, MO for this exhibition. This all-female exhibition was created through a group effort by women involved in Drury University’s Visual Arts program. What started as a small local art exhibition is growing to include female artists throughout the state of Missouri. \nLisa Payne\, "Level"\, 2020; birch wood and steel wire; Courtesy of the artist. "Nevertheless\, She Persisted" Installation shot Olivia Hawk\, "Beyond Function"\, 2023; slip cast soaked granny squares\, glaze\, jump rings; Courtesy of the artist "Nevertheless\, She Persisted" Installation shot Jo Narron\, "The Old Singer"\, 2024; oil; Courtesy of the artist "Nevertheless\, She Persisted" Installation shot Cheryl Vowels\, "Shards of a Former Self"\, 2022; Fused glass and stone; Courtesy of the artist.Cheryl Vowels\, "Shards of a Former Self"\, 2022; Fused glass and stone; Courtesy of the artist. Laura Ingalsbe\, "Mère (Mother)"\, 2022; Ink on canvas; Courtesy of the artist.Laura Ingalsbe\, "Mère (Mother)"\, 2022; Ink on canvas; Courtesy of the artist. \n "Nevertheless\, She Persisted" Installation shot Janice Hargrave\, "Celebrate the Journey"\, 2020; Acrylic on canvas; Courtesy of the artist.Janice Hargrave\, "Celebrate the Journey"\, 2020; Acrylic on canvas; Courtesy of the artist. "Nevertheless\, She Persisted" Installation shot Shaza Umran\, "Madonna and Me"\, 2023; acrylic on canvas; courtesy of the artist. "Nevertheless\, She Persisted" Installation shot Lisa Payne\, "The Weight of All I Am"\, 2025; Acrylic on canvas; Courtesy of the artist.Lisa Payne\, "The Weight of All I Am"\, 2025; Acrylic on canvas; Courtesy of the artist. "Nevertheless\, She Persisted" Installation shot Adrienne Egger\, "Space Mama"\, 2022; oil\, aerosol\, and holographic dust on canvas\, courtesy of the artist. "Nevertheless\, She Persisted" Installation shot Sarah Griggs\, "We Are One"\, 2024; photography and mixed media; Courtesy of the artist.Sarah Griggs\, "We Are One"\, 2024; photography and mixed media; Courtesy of the artist. "Nevertheless\, She Persisted" Installation shot Teresa Fry\, "When You Know It Is Coming"\, 2024; Acrylic on canvas; Courtesy of the artist.Teresa Fry\, "When You Know It Is Coming"\, 2024; Acrylic on canvas; Courtesy of the artist. "Nevertheless\, She Persisted" Installation shot Natalie Avondet\, "Live Out Loud"\, 2025; acrylic on canvas; Courtesy of the artist.Natalie Avondet\, "Live Out Loud"\, 2025; acrylic on canvas; Courtesy of the artist. "Nevertheless\, She Persisted" Installation shot SunYoung Park\, "Flowing"\, 2023; Cold finished ceramic and glass; Courtesy of the artist. Suzanne Thomas\, "Solitude"\, 2024; wool roving on wool on wood panel; Courtesy of artist. Lisa Bartlett\, "Sentinel of Strength"\, 2025; Mixed media; Courtesy of the artist. "Nevertheless She Persisted" installation shot. Penny Gordon-Chumbley\, "Sweets in Sweden-Advent 2024"\, 2024; Linoleum print; Courtesy of the artist.Penny Gordon-Chumbley\, "Sweets in Sweden-Advent 2024"\, 2024; Linoleum print; Courtesy of the artist. Morgan Prosser\, "Pill Bottle Still Life"\, 2025; Acrylic on canvas\, Courtesy of artist.Morgan Prosser\, "Pill Bottle Still Life"\, 2025; Acrylic on canvas\, Courtesy of artist. Christine Riutzel\, "The Perfect Lie"\, 2024; Acrylic on canvas; Courtesy of artist. Lisa Bartlett\, "Mama said what mama said"\, 2025; mixed media; courtesy of the artist. Olivia Hawk\, "Brunch Bonds"\, 2025; Oil on canvas; Courtesy of the artist.Olivia Hawk\, "Brunch Bonds"\, 2025; Oil on canvas; Courtesy of the artist. Meganne Rosen\, "Milk(y) Thistle Way"\, 2024; Acrylic on canvas; Courtesy of the artist.Meganne Rosen\, "Milk(y) Thistle Way"\, 2024; Acrylic on canvas; Courtesy of the artist. Dana Neuenschwander\, "Little Keeper"\, 2025; acrylic on canvas; Courtesy of the artist. Barbara Williams\, "Aunt Charlene at Mountain Home\, AR"\, 2012\, Mixed media; Courtesy of artist.Barbara Williams\, "Aunt Charlene at Mountain Home\, AR"\, 2012\, Mixed media; Courtesy of artist. Renee Monroe\, "Gale's Confidence"\, 2018; India ink on watercolor paper; Courtesy of artist. Katie Rodick\, "Midnight Breakthrough"\, "Midnight Symphony"\, "The Garden of Becoming"\, 2024; Gouache and gold leaf on birch wood panel; Courtesy of artist.Katie Rodick\, "Midnight Breakthrough"\, "Midnight Symphony"\, "The Garden of Becoming"\, 2024; Gouache and gold leaf on birch wood panel; Courtesy of artist. Patricia Borglum\, "Eyes at Night"\, 2025; Scratch board with colored pencil; Courtesy of artist. Jennifer Nelson\, "Lune.1" and "Celestial"\, 2024; Acrylic and eggshell on canvas and birch panel; courtesy of artist. Joanna Fazzino Davis\, "Think About Direction"\, 2025; Acrylic on canvas; Courtesy of the artist.Joanna Fazzino Davis\, "Think About Direction"\, 2025; Acrylic on canvas; Courtesy of the artist. Kate Baird\, "days\, fragments"\, 2025; oil on wood panel; courtesy of artist.Kate Baird\, "days\, fragments"\, 2025; oil on wood panel; courtesy of artist. Janice Hargrave\, "Sacrificial Outpouring"\, 2020; glazed earthenware and found objects; courtesy of artist.Janice Hargrave\, "Sacrificial Outpouring"\, 2020; glazed earthenware and found objects; courtesy of artist. Jennifer Holstein\, "Conundrum"\, 2024; Glazed earthenware and fiber; Courtesy of artist. Jennifer Holstein\, "Ebullient"\, 2024; Glazed earthenware and fiber; courtesy of artist.Jennifer Holstein\, "Ebullient"\, 2024; Glazed earthenware and fiber; courtesy of artist. Debra McCamish\, "Grief/Belief"\, 2025; Color photograph; Courtesy of artist. Debra McCamish\, "Vulnerability"\, 2025; color photograph; Courtesy of artist. SunYoung Park\, "Flowing"\, 2023; Glazed earthenware and glass; courtesy of artist. SunYoung Park\, "Finger Language #4"\, 2022; Glazed earthenware and tassel; Courtesy of artist. Jamie Billings\, "Agnostic"\, 2024; oil on canvas; courtesy of artist.Jamie Billings\, "Agnostic"\, 2024; oil on canvas; courtesy of artist. Lisa Payne\, "Peaked"\, 2020; Steel\, wire\, liquid plastic; Courtesy of artist.Lisa Payne\, "Peaked"\, 2020; Steel\, wire\, liquid plastic; Courtesy of artist. Jennifer Linders\, "Freedom"\, 2023; Marble; Courtesy of artist. Jennifer Linders\, "Through the Fire"\, 2023; Marble; Courtesy of artist. Jennifer Linders\, "Cecaelia"\, 2023; Marble; Courtesy of artist. Faith Bemiss-McKinney\, "All in a Days Work in Mexico"\, 2023; color photograph; Courtesy of artist. Faith Bemiss-McKinney\, "People of the Pier-Grandmother"\, 2014; color photograph; Courtesy of the artist. Faith Bemiss-McKinney\, "Wash Day in Italy"\, 2024; Color photograph; Courtesy of artist. URL:https://www.daummuseum.org/event/nevertheless-she-persisted/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2025/04/nevertheless-She-Persisted-logos.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250410 DTEND;VALUE=DATE:20250512 DTSTAMP:20260726T111107 CREATED:20241121T211620Z LAST-MODIFIED:20250530T192023Z UID:8361-1744243200-1747007999@www.daummuseum.org SUMMARY:2025 Annual Student Exhibition DESCRIPTION:The annual Student Exhibition\, a State Fair Community College tradition dating back to the late 1960s\, is open to all students currently taking studio art classes at the college. Interested student-artists collaborate with art department faculty to select work that best represents them. Each year\, some 50 students exhibit close to 100 artworks in a variety of media. \nStudent Show 2025 installation shot.Student Show 2025 installation shot. Student Show 2025 installation shot.Student Show 2025 installation shot. Student Show 2025 installation shot.Student Show 2025 installation shot. Student Show 2025 installation shot.Student Show 2025 installation shot. Student Show 2025 installation shot.Student Show 2025 installation shot. Student Show 2025 installation shot.Student Show 2025 installation shot. Student Show 2025 installation shot.Student Show 2025 installation shot. Student Show 2025 installation shot.Student Show 2025 installation shot. Student Show 2025 installation shot.Student Show 2025 installation shot. Student Show 2025 installation shot.Student Show 2025 installation shot. Student Show 2025 installation shot.Student Show 2025 installation shot. Student Show 2025 installation shot.Student Show 2025 installation shot. Student Show 2025 installation shot.Student Show 2025 installation shot. Student Show 2025 installation shot.Student Show 2025 installation shot. URL:https://www.daummuseum.org/event/2025-annual-student-exhibition/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2025/03/20250306_134959-copy-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250329 DTEND;VALUE=DATE:20250818 DTSTAMP:20260726T111107 CREATED:20241121T210038Z LAST-MODIFIED:20250530T185430Z UID:8358-1743206400-1755475199@www.daummuseum.org SUMMARY:Melior DESCRIPTION:Prints from the Collection \nIn this exhibition\, we are delighted to showcase a dynamic selection of contemporary prints from our museum’s collection\, highlighting printmaking’s creative breadth and technical innovation. From traditional to experimental methods\, these works reflect the diverse possibilities of the printmaking process as an evolving art form. Each piece serves as a unique dialogue between artist\, technique\, and material\, offering insights into the contemporary world while pushing the boundaries of traditional print media. \nAs we celebrate these exceptional works\, we are reminded of the importance of expanding our collection space. This show was born from a need to adjust the arrangement of our collection storage to better accommodate our existing collection. The need to grow and diversify the collection is essential for preserving the rich history and future trajectory of printmaking. By enriching our holdings with new acquisitions\, we ensure that future generations will be able to engage with the ever-evolving language of contemporary art. This exhibition is a powerful testament to the continued relevance of printmaking\, and it underscores the critical need for sustained support to grow and expand the museum’s collection space\, enabling us to preserve\, display\, and inspire with even greater depth and diversity. \nWe invite you to explore the works on display\, reflect on their enduring impact\, and join us in the collective effort to shape a lasting legacy for contemporary printmaking. \n"Melior" installation photo."Melior" installation photo. "Melior" installation photo."Melior" installation photo. Jim Dine\, "Sun's Night Glow"\, 2000; Lithograph on paper; Gift of Dr. Harold F. Daum "Melior" installation photo."Melior" installation photo. "Melior" installation photo."Melior" installation photo. Roger Shimomura\, "Kansas Samurai"\, 2004; Lithograph in 7 colors; Gift of Dr. Harold F. Daum "Melior" installation photo."Melior" installation photo. "Melior" installation photo."Melior" installation photo. Robert Stackhouse\, "Michigan Swell II"\, 2000-2009; Lithograph in 7 colors; Gift of Dr. Harold F. Daum "Melior" installation photo."Melior" installation photo. "Melior" installation photo."Melior" installation photo. Michael Krueger\, "Black Moon"\, 2012; Lithograph; Gift of Dr. Harold F. Daum URL:https://www.daummuseum.org/event/in-print/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2024/11/A_2011.01.86_JPG-rotated-e1738006933737.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250125 DTEND;VALUE=DATE:20250602 DTSTAMP:20260726T111107 CREATED:20241121T205526Z LAST-MODIFIED:20250128T182700Z UID:8356-1737763200-1748822399@www.daummuseum.org SUMMARY:Constructed Chaos DESCRIPTION:Constructed Chaos explores the dynamic interplay between structure and spontaneity through abstract art. The works on display delve into the dual forces that shape our existence—the inherent order that seeks stability\, clarity\, and control\, juxtaposed with the chaotic\, unpredictable energy that disrupts\, redefines\, and challenges the status quo. \nThrough various mediums and techniques\, the artists reflect on how these opposing forces shape both the external world and our internal landscapes. The exhibition speaks to the moments where chaos and order converge\, pushing and pulling against each other\, creating a tension that we navigate daily in our personal and collective lives. Some works embrace the flux and freedom of unrestrained experimentation\, while others impose rigid lines\, patterns\, and forms that anchor the viewer’s perception\, offering a sense of security amidst the storm. \nThis exhibition asks us to reflect on the complexity of balance. How does order manifest amid uncertainty? Can chaos ever find structure\, and does order need to be disrupted to be truly understood? As viewers move through the space\, they are invited to experience the unresolved friction between these forces\, and perhaps\, to find their own place within this shifting continuum. \nThis exhibition was curated in collaboration with SFCC student Brooklyn Correa as a part of a special problems exhibition course with Museum Director Garry Holstein. Brooklyn J. Correa grew up in the small town of Centerview\, MO. She will graduate in May with her Associate of Arts from SFCC in Sedalia\, MO. She currently works at the Daum Museum of Contemporary Art as a museum attendant. She will transfer to Mizzou in the fall of 2025\, pursuing a degree in English\, with minors in Creative Writing and Art History. Her inspiration for this museum show stemmed from her love of art and the creative aspect that allows both artists and writers to connect. \nDirk De Brucker\, "Belgian"\, 2003; Asphalt and oil on canvas. Linda Lopez\, "Bermuda Dusty Furry with Midnight Rocks"\, 2022; Pigmented porcelain. Constructed Chaos installation photo Constructed Chaos installation photo Hugh Merrill\, "Adrian"\, 2000; mixed media on panel Constructed Chaos installation photo Constructed Chaos installation photo Cary Esser\, "Topo 8"\, 2010; Glazed fritware. Constructed Chaos installation photo Constructed Chaos installation photo Eugene Bavinger\, "Untitled"\, 1972; Acrylic on canvas.Eugene Bavinger\, "Untitled"\, 1972; Acrylic on canvas. Constructed Chaos installation photo URL:https://www.daummuseum.org/event/constructed-chaos/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2024/11/A2_2009.03.02_JPG-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20250125 DTEND;VALUE=DATE:20250526 DTSTAMP:20260726T111107 CREATED:20240906T172752Z LAST-MODIFIED:20250204T171401Z UID:8282-1737763200-1748217599@www.daummuseum.org SUMMARY:Orange You Glad... DESCRIPTION:We didn’t say banana? People use lighthearted jokes and humor to form emotional bonds with others and these moments of comradery make life more meaningful. Humor in itself is a creative endeavor that makes connections between seemingly contradictory ideas. By focusing on the power of these everyday moments\, we give credence to the idea of the commonality of man. Within the diverse world of human experience\, individual moments—that can be easily overlooked and taken for granted—create memories that shape our existence. In this exhibition\, the chosen artworks were originally linked by a single element—the color orange. As we delved deeper into the process\, new relationships appeared between the works that provided a deeper understanding of how seemingly different styles and media can unite into a singular focus. \nFrom the bold strokes of Sol LeWitt and Robert Motherwell to the subdued hues of Jules Olitski we begin to see the diverse relationships of individual encounters. Focusing on the reactions that these works elicit ground this exhibit in the viewers engagement of each piece. We invite our viewers to experience the intense moments of Irving Kriesberg and Vera Klement\, the fleeting moments of Don Worth and Suda House\, the frenetic energy of Terry Winters and Karen Kunc\, and the soulful stories of Tanya Hartman. Each of these works play with ambiguity. Our lived experiences and individual interpretations influence our understanding of the visual world. This exhibition encourages viewers to embrace and connect with the work in their own way. \nThis exhibition was curated through a collaboration between Daum staff members Marcie Teter and Vicki Weaver\, and Dr. Meghan McClellan of the SFCC Art Department. \nDr. Meghan McClellan is an Art Historian specializing in the art of humor and 19th century photography. She holds a PhD in Art History from the University of Missouri-Columbia (2017)\, with additional degrees including an MA in Art History (2009)\, BA in Art History (2007)\, and AA from Cottey College (2005). As the lead Art History faculty at State Fair Community College since 2018\, McClellan earned nominations for ‘Instructor of the Year’ in 2022 and 2023. Currently\, she is researching the legacy of female artistry in the Midwest. \nMarcie Teter works as the Collections Manager at the Daum Museum and has worked for the museum since 2010. Vicki Weaver is the Curator of Education for the museum and has been with the Daum since its opening in 2002. \nOrange You Glad installation shot Alex Katz\, "Superb Lilies"\, 1972; Lithograph.Alex Katz\, "Superb Lilies"\, 1972; Lithograph. Orange You Glad installation shot Vera Klement\, "Sunset Swimmer"\, 1990; Oil on canvas.Vera Klement\, "Sunset Swimmer"\, 1990; Oil on canvas. Orange You Glad installation shot Don Worth\, "Carnations\, Mill Valley\, CA"\, 1986; Cibachrome print.Don Worth\, "Carnations\, Mill Valley\, CA"\, 1986; Cibachrome print. Orange You Glad installation shot Jules Olitski\, "Untitled"\, 1970; Silkscreen.Jules Olitski\, "Untitled"\, 1970; Silkscreen. Orange You Glad installation shot Suda House\, "Juno Lucia"\, 1985; Archival Fujiflex print.Suda House\, "Juno Lucia"\, 1985; Archival Fujiflex print. Philomene Dosek Bennett\, "Berry Bundle Day"\, 1980; Silkscreen. Baruj Salinas\, "Atmosphere"\, 1978; embossed etching on Guarro paper with deckled edges.Baruj Salinas\, "Atmosphere"\, 1978; embossed etching on Guarro paper with deckled edges. Orange You Glad installation shot Kathy Butterly\, "Star Dust"\, 2022; Glazed porcelain and earthenware.Kathy Butterly\, "Star Dust"\, 2022; Glazed porcelain and earthenware. Orange You Glad installation shot Yoshiro Ikeda\, "Harvest"\, 1998; Glazed stoneware.Yoshiro Ikeda\, "Harvest"\, 1998; Glazed stoneware. Orange You Glad installation shot Janet Kuemmerlein\, "Yellow Rose with Bud"\, 1980; Stitched fiber relief sculpture. Orange You Glad installation shot Orange You Glad installation shot Orange You Glad installation shot \n  URL:https://www.daummuseum.org/event/orange-you-glad-i-didnt-say-banana/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2024/09/A_2013.05.02_JPG_House-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240920 DTEND;VALUE=DATE:20250303 DTSTAMP:20260726T111107 CREATED:20240703T194817Z LAST-MODIFIED:20240923T182708Z UID:8223-1726790400-1740959999@www.daummuseum.org SUMMARY:Rebekah Bogard: You + Me = DESCRIPTION:"You + Me"\, 2024; painted earthenware "You + Me =" installation shot "Gather Ye Rose-Buds"\, 2024; painted earthenware "You + Me =" installation shot "A Summer's Day"\, 2024; painted earthenware "You + Me =" installation shot Bogard: Flower "You + Me =" installation shot "Heart Song"\, 2024; glazed and painted earthenware "Heart Song"\, 2024; glazed and painted earthenware "Nothing Gold Can Stay"\, 2024; painted earthenware "You + Me =" installation shot "Once A Dream"\, 2024; painted earthenware "Still Waters Run Deep"\, 2024; painted earthenware "Sleep Well"\, 2024; painted earthenware "You + Me =" installation shot "To Meet a Flower"\, 2024; painted earthenware \nThis installation portrays love\, loss\, risk\, and the important role of friendship.  Walking among this cloud-filled dreamscape\, one questions mortality\, the possibilities for life anew\, and alternate realities. \nThrough my symbolic use of animals\, I incorporate existential notions about love\, loss\, risk\, and friendship.  Questions about life\, death\, and mortality are imbedded in this body of work.  The viewer walks among the clouds (painted on the walls at floor level)\, alluding to ideas about an afterlife\, dreamscape\, or perhaps an alternate reality. \nThe viewer is enveloped in a space that invites exploration. Upon entering the gallery\, they become an essential part of the piece\, walking through an environment teeming with life. This experience requires them to be present\, actively making sense of the realm they’ve entered.  As such\, my installations allow various interpretations as the works will have different meanings for different people. \nWhen viewing my work\, people are allowed to contemplate their own reality and perhaps escape or re-think their place in the world.  By exploring complexities through animals\, it becomes a safe space to readdress many of our social complexities\, revealing a desire for connection and the risk that comes with it. \nThrough illusions of clouds\, water\, and trees\, the space draws attention to the relationship between the human-made and the natural world\, prompting viewers to consider environmental themes.  The serene\, almost utopian vision of animals peacefully cohabiting can be interpreted as a commentary on environmental harmony and the hope for a balanced coexistence\, aligning with the notion of innovation in response to environmental crisis. \n-Rebekah Bogard \n—– \nRebekah Bogard received her MFA from the University of Nevada Las Vegas in 2003. She received a BFA from the University of Wyoming in Laramie in 2000. She is currently an Associate Professor in Ceramics at the University of Nevada Reno\, as well as a studio artist. She has received numerous awards including being named an “Emerging Artist” by both the National Council on Education for the Ceramic Arts and Ceramics Monthly Magazine. She has been awarded a residency at the Bemis Center for Contemporary Arts. In addition\, she is a two-time recipient of the Nevada Fine Arts Council Fellowship\, as well as receiving the “Best of Show” in several national art competitions. Her work has been shown in several solo and group exhibitions nationwide. Moreover\, her work has been reviewed in publications such as Art in America\, LA Times\, Ceramics Monthly Magazine\, Clay Times Magazine\, and Artweek. \nBogard employs fictional animals in her artwork to explore the narrative of her life and personal history\, as they can disarm expectations. She utilizes animals because they are beautiful and mysterious creatures\, vulnerable to relations with humans. This susceptibility gives them a sense of benevolence that is often lacking in human interactions. The fictional creatures juxtaposed with non-fictional animals are there to turn the world upside-down and to leave the viewer off balance. By changing the rules of engagement\, fantasies become realities and dreams become actuality. Concrete gender roles no longer exist. Females can be more like males and males can be more like females. \nAs a female artist\, Bogard is interested in gender and how specific gender roles are assigned to both girls and women. She exploits normative female iconography such as flowers\, butterflies\, and curving sensuous lines as well as “feminine” color combinations such as pinks\, purples and pastel blues. She embraces female sexuality\, vulnerability\, and romance not as the stereotypical taboo\, but as an empowered re-contextualization. Through these creatures\, She embraces\, reclaims and redefines female stereotypes; powerful messages relevant to today’s world. \nwww.RebekahBogard.com URL:https://www.daummuseum.org/event/rebekah-bogard/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2024/07/thumbnail_IMG_6316-e1727116020792.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240920 DTEND;VALUE=DATE:20250303 DTSTAMP:20260726T111107 CREATED:20240703T193401Z LAST-MODIFIED:20240923T185449Z UID:8221-1726790400-1740959999@www.daummuseum.org SUMMARY:Mantra: Lifespan DESCRIPTION:"Mantra: Lifespan" Installation shot "The Square Collection: Limenitis arthemis"\, 2024; acrylic on canvas "The Giant Collection: Heliconius Erato Cyrbia II"\, 2024; acrylic on canvas "The Square Collection: Hamadrias amphinome"\, 2024; acrylic on canvas "Mantra: Lifespan" Installation shot "Mantra: Lifespan" Installation shot "Nature morte du Papilio Multicaudatus"\, 2024; acrylic on canvas "Butterflies of Missouri: Board IV"\, 2024; acrylic on canvas "Butterflies of Mexico: Board X"\, 2024; acrylic on canvas"Butterflies of Mexico: Board X"\, 2024; acrylic on canvas "Mantra: Lifespan" Installation shot "Life span study I-IV"\, 2024; carbon on paper "Mantra: Lifespan" Installation shot Youri "Mantra" Cansell in front of the completed lobby mural \nLIFESPAN: ART BORN IN A MOMENT AND IMMORTALIZED IN TIME \nThe image of the elusive butterfly suggests to us the briefest lifespan\, but is it? Through scientific study we know that butterflies naturally enter states of hibernation\, sometimes for several years\, to prolong their own existence. Most of them migrate\, thousands of miles like the Monarch\, looking for a more favorable climate. Yet\, in our coexistence\, human beings impact those life cycles\, threatening the butterfly’s survival to extinction. \nIn this context\, this exhibition asks profound questions about the fragility of life\, and explores what the butterfly’s ability to prolong time in the face of danger can teach us about our relationship with the natural world. By encapsulating the briefest moment in time\, the butterfly becomes simultaneously a field study and an artwork – life as it happens\, yet also immortalized for wonder and contemplation. \n“Inspired by a lifelong curiosity about the living and a quest to observe the full reality of natural moments\, my art is deeply personal and contemplative. I do not seek to give people an interpretation or a representative concept to wrestle with – rather to enter the moment with me and have their own experience. As a painter\, I am crystallizing my scientist’s observations in the field into art. The artistic expression exists to ask how we preserve these fleeting moments in an urban\, post-industrial setting\, and how they question our notion of time.” \n-Youri Cansell \n—– \nBorn in Metz\, France\, in 1987\, Youri Cansell\, internationally recognized as Mantra\, is a consummate artist and naturalist. Equally skilled at depicting both humans and animals\, Mantra exhibits a special fascination with entomology—the world of insects. Drawing inspiration from his childhood garden in France and his adventures around the globe\, he now creates exquisite paintings and murals\, often featuring moths and butterflies\, on canvas and cityscapes. With acute sensitivity to his surroundings\, Mantra works to create organic relationships between his subjects and their environments. His renderings of infinitely varied species are spectacularly beautiful and scientifically accurate to the smallest detail. Significantly\, he frequently represents these creatures on large facades as if they were lifeless specimens showcased in an exhibition case—a poignant commentary on the alarming decline in biodiversity. \nFrom upscale architectural complexes in New York City to rural community projects and prominent institutional buildings in South America\, Mantra’s public art finds its place amidst diverse urban backdrops. His remarkable proficiency in “trompe l’oeil” techniques\, paired with his passion for nature and human experience\, not only enlivens cities across the world but also draws attention to critical global concerns such as climate change and the urgent need to raise awareness of and preserve natural ecosystems. When he is not immersed in artwork at his studios in Mexico City\, Mantra engages in explorations and collaborates with researchers in the field of entomology worldwide. \nhttp://www.mantrarea.com/ \n—– \nThis exhibition is curated by Justkids. \nJustkids is an award-winning art consulting firm specializing in design\, curatorial\, and production services for creative place making and public art. With over a decade of experience and a broad international network of leading contemporary artists and curators\, Justkids helps diverse urban players—including cities\, architects\, and institutions—to drive culture and create memorable art encounters for varied communities and audiences. Since 2018\, Justkids has collaborated with Mantra and accompanied his career on some of his major projects in the United States and Europe. \nhttps://justkids.art URL:https://www.daummuseum.org/event/mantra/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2024/07/mural-wall-limenitis-arthemis.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240913 DTEND;VALUE=DATE:20250310 DTSTAMP:20260726T111107 CREATED:20240906T172320Z LAST-MODIFIED:20240913T185156Z UID:8280-1726185600-1741564799@www.daummuseum.org SUMMARY:Analogous DESCRIPTION:Betty Woodman\, "East/West Triptych"\, 2000\, Glazed earthenware; Gift of Dr. Harold F. Daum. Analogous installation photo Analogous installation photo Analogous installation photo Analogous installation photo Analogous installation photo Misty Gamble\, "Madonna of the Long Neck"\, 2015; Stoneware and rabbit skin glue; Anonymous gift.Misty Gamble\, "Madonna of the Long Neck"\, 2015; Stoneware and rabbit skin glue; Anonymous gift. Analogous installation photo Analogous installation photo Analogous installation photo Analogous installation photo Bobby Silverman\, "Untitled Triptych #14"\, 2007; Glazed porcelain; Gift of Dr. Harold F. Daum.Bobby Silverman\, "Untitled Triptych #14"\, 2007; Glazed porcelain; Gift of Dr. Harold F. Daum. Analogous installation photo Analogous installation photo \nThis exhibition features ceramics by 12 artists from the Daum Collection. Three works from each artist have been selected to highlight variation while providing consistency. Explorations of form and color intersect with investigations of subject matter to offer a vivid manifestation of the power of clay to communicate abstract and concrete meaning.  This relationship is effective within the pieces of the individual and between the artists because the work shares a common materiality. Artists in the exhibition include Cary Esser\, Suzanne Fagermo\, Misty Gamble\, Yoshiro Ikeda\, Joyce Japlonski\, Jun Kaneko\, Ole Lislerud\, Don Reitz\, Bobby Silverman\, George Timock\, Betty Woodman\, and Dam Wouter. URL:https://www.daummuseum.org/event/analogous/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2024/09/A_2017.08.02-03_JPG-e1725643320203.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Chicago:20240824T130000 DTEND;TZID=America/Chicago:20240824T170000 DTSTAMP:20260726T111107 CREATED:20240723T192557Z LAST-MODIFIED:20240814T155512Z UID:8228-1724504400-1724518800@www.daummuseum.org SUMMARY:Daum Museum Vendor Marketplace DESCRIPTION:On August 24\, 2024\, from 1:00 – 5:00 p.m.\, the Daum Museum will be hosting a vendor marketplace at the Daum Museum of Contemporary Art\, located on the State Fair Community College Campus. This is the first ever Daum vendor marketplace\, which will accompany back to school activities at State Fair Community College. Vendors will include local artists\, local business owners and makers\, and food trucks. \nProducts available will include ceramics\, original artwork\, woodworking\, homemade pastries and sweets\, paintings\, jewelry\, fired glassware\, tropical houseplants\, caricatures\, metal sculptures\, photography\, and more! Dove Donuts and David’s Original Cheesesteak Co. will also be parked on campus with their delicious food! \nIf you have any questions\, please contact us at 660-596-7177 or amartin9@sfccmo.edu. For more information: Event Facebook Page URL:https://www.daummuseum.org/event/marketplace/ LOCATION:Daum Lobby\, 3201 West 16th Street\, Sedalia\, MO \, Sedalia\, MO\, 65301 CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2024/07/IMG_4068.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240627 DTEND;VALUE=DATE:20241218 DTSTAMP:20260726T111107 CREATED:20240508T190359Z LAST-MODIFIED:20240618T183457Z UID:8122-1719446400-1734479999@www.daummuseum.org SUMMARY:Naturally DESCRIPTION:Installation view of "Naturally." Installation view of "Naturally." Installation view of "Naturally." Nicolas Dhervillers\, Untitled 1\, Oculi\, 2016; archival pigment print. Museum purchase. Installation view of "Naturally." Installation view of "Naturally." Installation view of "Naturally." Installation view of "Naturally." Installation view of "Naturally." Installation view of "Naturally." Installation view of "Naturally." Robyn Horn\, "1355 Staccato\," 2021; box elder burl. Museum purchase. Installation view of "Naturally." Installation view of "Naturally." Ken & Kate Anderson\, "Cross Current #153/River Grace\," 1996; tree bark and painted wood. Gift of Dr. Harold F. Daum. \nNaturally draws from the Daum collection to explore the natural world and our relationship to it. From representations of familiar landscapes to jungle environments\, we find connections and highlight differences in how we live our lives and find inspiration from nature. Ceramic sculpture\, fiber\,  realistic renderings of landscapes\, and abstract reflections of experiences in the world serve to invoke a sense of wonder and inspire visitors to explore the natural world. URL:https://www.daummuseum.org/event/naturally/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2024/05/A2_2019.06_JPG.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240627 DTEND;VALUE=DATE:20241218 DTSTAMP:20260726T111107 CREATED:20240507T160623Z LAST-MODIFIED:20240618T184927Z UID:8118-1719446400-1734479999@www.daummuseum.org SUMMARY:Consume DESCRIPTION:Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Sherry Leedy\, "Hopscotch\," 2017; mixed media. Museum purchase. Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Richard E. Loftis\, "3 Ears of Corn\," 2002; digital print. Gift of Ricci Racela & Michael Bonahan. Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Lawrence McFarland\, "Wheatfield\," 1976; gelatin silver print. Gift of Drs. Antonio & Luz Racela. Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Chris Kilmer\, "RC Johnson Ranch\," 1982; gelatin silver print. Gift of Drs. Antonio & Luz Racela. \nConsume places work from the Daum collection in dialogue with works from around the world through our concurrent juried exhibition\, Feast. Utilizing food as a focal point\, the works presented showcase the process of bringing food to tables\, the people who make meals\, and the places and objects we utilize to consume them. Some of the works are beautiful explorations of form\, light\, and color\, while other pieces hint at challenges presented in our food systems and cultural practices. However\, all come together to explore the shared idea of sustenance. URL:https://www.daummuseum.org/event/consume/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2024/05/A_2008.15.30_JPG-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240531 DTEND;VALUE=DATE:20240902 DTSTAMP:20260726T111107 CREATED:20240207T195518Z LAST-MODIFIED:20240530T192216Z UID:8018-1717113600-1725235199@www.daummuseum.org SUMMARY:Feast DESCRIPTION:Feast is an exhibition exploring the theme of food in all its flavors\, textures\, colors\, and cultural significance. Food is a focal point through which artists can express human creativity\, history\, and traditions through the idea of nourishment. Consider how various cultures use food as symbols in their meals. From still life to video and social commentary to explorations of color and form\, food or the lack thereof is an aspect of everyone’s life. \nOpen to artists from all backgrounds\, mediums\, and locations. Whether you specialize in painting\, sculpture\, photography\, mixed media\, or any other form of visual art\, we welcome your submissions. \nInstallation view of "Feast." Installation view of "Feast." Benjamin Kjellman-Chapin\, "Utensils for navigating finger food in a post-COVID reality nr. 1\," 2024; forged steel with canola oil. Courtesy of the artist. Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Robyn Nichols\, "Dandelions: Table Setting\," 2021; polished sterling silver and wire. Courtesy of the artist. Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Jonah Graf\, "The Three Sisters\," 2023; painted metal. Courtesy of the artist. Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." URL:https://www.daummuseum.org/event/feast/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2024/02/2-Food-Treasure-Series-Lasagna-36-x-48inch-Acrylic-on-canvas-2023-Chunbo-Zhang.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240411 DTEND;VALUE=DATE:20240513 DTSTAMP:20260726T111107 CREATED:20230310T211030Z LAST-MODIFIED:20240411T153942Z UID:7688-1712793600-1715558399@www.daummuseum.org SUMMARY:2024 Annual Student Exhibition DESCRIPTION:The annual Student Exhibition\, a State Fair Community College tradition dating back to the late 1960s\, is open to all students currently taking studio art classes at the college. Interested student-artists collaborate with art department faculty to select work that best represents them. Each year\, some 50 students exhibit close to 100 artworks in a variety of media. This year’s exhibition will showcase traditional media as well as new media. \nInstallation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. URL:https://www.daummuseum.org/event/2023-annual-student-exhibition/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2023/03/IMG_5336-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240330 DTEND;VALUE=DATE:20240805 DTSTAMP:20260726T111107 CREATED:20240207T195112Z LAST-MODIFIED:20240401T160320Z UID:8016-1711756800-1722815999@www.daummuseum.org SUMMARY:All We Are DESCRIPTION:Installation view of "All We Are." Installation view of "All We Are." Stan Welsh\, "Listen\," 2003; terra cotta and glaze. Gift of Dr. Harold F. Daum. Installation view of "All We Are." Installation view of "All We Are." Martin Johnson\, "Thus The Circle\," 2001; mixed media assemblage. Gift of "The Dorothy & Herbert Vogel Collection: Fifty Works for Fifty States"\, a joint initiative of the Trustees of the Dorothy & Herbert Vogel Collections and the National Gallery of Art\, with generous support of the NEA and IMLS. Installation view of "All We Are." Installation view of "All We Are." Installation view of "All We Are." Jim Sajovic\, "Web of Belief\," 1991; acrylic on canvas. Gift of Ron Slowinski. Installation view of "All We Are." Installation view of "All We Are." Jo Whaley\, "The Dunce: A Bewildered Ruler of an Ambiguous World\," 1989; Unique Polaroid photograph. Gift of Ricci Racela & Michael Bonahan. Installation view of "All We Are." Gale Farley\, Untitled\, n.d.; gelatin silver print. Gift of Ricci Racela & Michael Bonahan. Installation view of "All We Are." Installation view of "All We Are." Robert Goodnough\, "Three Figures\," lithograph on paper. Gift of Universal Limited Art Editions. Installation view of "All We Are." Installation view of "All We Are." Installation view of "All We Are." Larry Fink\, "Two Women\, Debutante Ball\, Hotel Pierre\, N.Y.C\," from the portfolio "Making Out\, 1957-1980\," 1980; gelatin silver print. Gift of Drs. Antonio & Luz Racela. \n\n\nThrough a focus on portraits and figurative works in the collection\, this exhibition spans a multiplicity of human experiences and notions of being. The work explores the complexities of identity and the way these are reflected in the depiction of the body. The diversity of perspectives in the work presented is meant to provide a point of resonance for a multiplicity of viewers. This show is meant to reflect a sample of the collective notion of humanity\, inviting viewers to contemplate their place in the world. URL:https://www.daummuseum.org/event/all-we-are/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2024/02/A_2008.15.79_JPG-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240330 DTEND;VALUE=DATE:20240805 DTSTAMP:20260726T111107 CREATED:20230727T163807Z LAST-MODIFIED:20240415T155932Z UID:7826-1711756800-1722815999@www.daummuseum.org SUMMARY:Casey Whittier: Observations DESCRIPTION:Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations." Casey Whittier\, "Looking for...\," 2023; terra cotta & earthenware\, fishing line. Courtesy of the artist. Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations." Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations." Casey Whittier\, "Anything But Forever (Mead's Milkweed)\," 2018; terra cotta\, earthenware\, and glaze. Courtesy of the artist. Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations." Casey Whittier\, "Grieta/Rift\," 2024; earthenware (San Miguel)\, clay (Kansas City)\, steel\, fishing line. Courtesy of the artist. Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations." Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations." Casey Whittier\, "La fatigue tue. Prenez une pause/Fatigue Kills. Take a Break\," 2024; porcelain\, steel frame\, fishing line\, wire. Courtesy of the artist. Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations." Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations." \nCasey Whittier received her BFA from the Kansas City Art Institute and MFA from the University of Colorado at Boulder. \nShe is interested in the metaphorical and philosophical power of visual art and the ways in which the ceramic material creates direct connections between the geology of the earth\, basic human needs\, and complex metaphysical desires. Repetitive processes and systems of reliance are often used as metaphors for our interconnectedness. \nWhittier teaches ceramics and social practice at the Kansas City Art Institute and works from her home studio. Whittier works with The Land Institute through their Ecosphere Studies Program cohort and as a participant in their Silphium Civic Science Community\, where research into new perennial and sustainable food and oil seed production is ongoing. \nWhittier was named a 2020 Emerging Artist by Ceramics Monthly Magazine. She serves as President for Artaxis.org. More of her work can be found at www.caseywhittier.com. URL:https://www.daummuseum.org/event/observations/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2023/07/thumbnail_Casey_W_20232358-e1690475873942.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240125 DTEND;VALUE=DATE:20240527 DTSTAMP:20260726T111107 CREATED:20231219T205615Z LAST-MODIFIED:20240116T165845Z UID:7978-1706140800-1716767999@www.daummuseum.org SUMMARY:Establishing Essence DESCRIPTION:John Balistreri\, Untitled NC16\, 2001; salt-fired glazed stoneware. Gift of Dr. Harold F. Daum. Installation view of "Establishing Essence." Installation view of "Establishing Essence." Ken Worley\, "Rockwood VI.5\," 2005; oil stick on canvas. Gift of Dr. Harold F. Daum. Installation view of "Establishing Essence." Installation view of "Establishing Essence." Julia Fernandez-Pol\, "Cascading Chrysanthemum\," 2009; oil on canvas. Gift of Dr. Harold F. Daum. Installation view of "Establishing Essence." Installation view of "Establishing Essence." Helen Frankenthaler\, "Geisha\," 2003; 23-color Ukiyo-e woodcut on paper. Museum purchase. Installation view of "Establishing Essence." Installation view of "Establishing Essence." \nThis exhibition draws from the animation style of Mary Blair and Eyvind Earle and explores elements of geometry\, landscape\, and color. The atmosphere of this gallery is intended to pull inspiration from stylistic\, fantastical aspects of the animators and create a physical experience for the viewers that embodies the essence of early Disney artists. In this grouping\, the Daum collection is recontextualized to evoke a sense of wonder in the everyday and a connective tissue that weaves the artists’ individual stories together. URL:https://www.daummuseum.org/event/establishing-essence/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2023/12/R_2007.28.01_JPG-e1703019330396.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240125 DTEND;VALUE=DATE:20240527 DTSTAMP:20260726T111107 CREATED:20230713T213608Z LAST-MODIFIED:20240125T193855Z UID:7823-1706140800-1716767999@www.daummuseum.org SUMMARY:Haunted Francis in Fantasyland/Living on Deadlines DESCRIPTION:Installation view of "Living on Deadlines." Installation view of "Living on Deadlines." Installation view of "Living on Deadlines." Installation view of "Living on Deadlines." Installation view of "Living on Deadlines." Installation view of "Haunted Francis in Fantasyland." Installation view of "Haunted Francis in Fantasyland." Installation view of "Haunted Francis in Fantasyland." Installation view of "Haunted Francis in Fantasyland." Installation view of "Haunted Francis in Fantasyland." Installation view of "Haunted Francis in Fantasyland." \nJohn F. Malta is a Cleveland\, Ohio-born\, multi-disciplinary artist\, author\, and educator. After spending most of his life along the Erie shore of Northeast Ohio he moved to New York City where he earned an MFA in Illustration As Visual Essay from The School of Visual Arts. He later relocated to Kansas City\, where he works out of a studio based in the West Bottoms. \nHis client list includes The New York Times\, The New Yorker\, Adult Swim\, Beyond the Streets\, Garbage Pail Kids\, The Wall Street Journal\, Honda\, The Boston Globe\, Liquid Death\, Complex\, Dr. Martens\, Premier Guitar\, and Sports Illustrated For Kids. \nMalta’s paintings\, comics\, zines\, and installations have been exhibited widely nationally and internationally at galleries\, art book fairs\, and institutions such as Comic Arts Brooklyn\, Comic Arts Los Angeles\, Toronto Comic Arts Festival\, Hashimoto Contemporary\, New Image Art\, Spoke Art Gallery\, Good Mother Gallery\, Superchief\, Gallery Nucleus\, Cooler Gallery\, and Skylab Gallery. \nHe is the creator of the punk zine odyssey Haunted Francis and the author of Intergalactic Moving Day\, a picture book published by POW! Kids Books. His comic art and illustration have been awarded and recognized by AIGA Eye on Design\, The Society of Illustrators\, Juxtapoz\, KIRKUS\, and American Illustration. \nFor the past decade\, he has served as Program Coordinator and Professor for The University of Central Missouri BFA Studio Art Illustration program. URL:https://www.daummuseum.org/event/haunted-francis-in-fantasyland-living-on-deadlines/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2023/07/JohnFMalta_HauntedFrancisStill-1-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20231012 DTEND;VALUE=DATE:20240331 DTSTAMP:20260726T111107 CREATED:20231016T183804Z LAST-MODIFIED:20231016T183835Z UID:7938-1697068800-1711843199@www.daummuseum.org SUMMARY:Of the Earth: Ceramics from the Collection DESCRIPTION:Of the Earth showcases a survey of ceramics from the Daum’s permanent collection. This exhibition displays a myriad of ways to create and finish artwork\, ranging from traditional methods of firing to vessels coated with flocking. From platters to sculpture\, these works highlight the diversity of the ceramic medium and the artists who created them represented in the museum’s collection. \nInstallation view of "Of the Earth." Installation view of "Of the Earth." Installation view of "Of the Earth." Robert Sperry\, "Plate #891A\," 1989; glazed stoneware. Gift of Dr. Harold F. Daum. Installation view of "Of the Earth." Installation view of "Of the Earth." Installation view of "Of the Earth." Christopher Russell\, "Tooth and Claw\," 2014; glazed white terra cotta. Museum purchase with funds from Nancy Case. Installation view of "Of the Earth." Installation view of "Of the Earth." Installation view of "Of the Earth." Betty Woodman\, "Clematis\," 1987; glazed earthenware. Gift of Charlie Woodman & Andrea Terrice. Installation view of "Of the Earth." Installation view of "Of the Earth." Installation view of "Of the Earth." Yoshiro Ikeda\, "Nugget\," 1998; glazed stoneware. Gift of Dr. Harold F. Daum. Installation view of "Of the Earth." URL:https://www.daummuseum.org/event/of-the-earth-ceramics-from-the-collection/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2023/10/IMG_3305-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20230930 DTEND;VALUE=DATE:20240301 DTSTAMP:20260726T111107 CREATED:20230821T182129Z LAST-MODIFIED:20231114T142318Z UID:7856-1696032000-1709251199@www.daummuseum.org SUMMARY:Y`akyi nnwa: Let's Have a Conversation DESCRIPTION:Installation view of "Y`akyi nnwa: Let’s Have a Conversation." Vincent (Sniper) Frimpong\, "Half & 1/2\," 2023; stoneware\, resin\, found object\, and wood. Courtesy of the artist. Installation view of "Y`akyi nnwa: Let’s Have a Conversation." Vincent (Sniper) Frimpong\, Untitled\, 2023; stoneware\, resin\, found objects\, and metal. Courtesy of the artist. Installation view of "Y`akyi nnwa: Let’s Have a Conversation." Installation view of "Y`akyi nnwa: Let’s Have a Conversation." Vincent (Sniper) Frimpong\, "Return of Kwaku the Traveler\," 2023; clay\, metal\, wood\, beads\, and fur. Courtesy of the artist. Owusu Ross Junior\, "Ankonam (Self-love) Series II\," 2023; bicycle rims\, fabrics\, cast bronze\, cast aluminum\, and resin. Courtesy of the artist. Installation view of "Y`akyi nnwa: Let’s Have a Conversation." Vincent (Sniper) Frimpong\, "Bearing Arms\," 2022; stoneware\, flywhisk\, and beads. Courtesy of the artist. \nVincent Frimpong (SNIPER) and Ross Junior Owusu are contemporary Ghanaian artists currently based in the United States. This two-person exhibition is a place for sharing the visual language of “What does it mean to be African?” URL:https://www.daummuseum.org/event/yakyi-nnwa-lets-have-a-conversation/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/png:https://www.daummuseum.org/wp-content/uploads/2023/08/sniper-featured-image-1-e1695235229360.png END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20230930 DTEND;VALUE=DATE:20240301 DTSTAMP:20260726T111107 CREATED:20230310T212945Z LAST-MODIFIED:20230928T162325Z UID:7690-1696032000-1709251199@www.daummuseum.org SUMMARY:Animal/Vegetable/Mineral DESCRIPTION:Installation view of "Animal/Vegetable/Mineral." Robert Kushner\, "Species Tulips and Columbines\," 2013; acrylic\, oil\, and palladium leaf on canvas. Gift of Dr. Harold F. Daum. Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." Lindsay Pichaske\, "Guardian\," 2022; earthenware\, paint\, graphite\, and charcoal. Courtesy of the artist. Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." Calder Kamin\, "Baby Foxfire\," 2023; recycled materials. Courtesy of the artist. Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." Justin King\, "Coyote Cloud\," 2023; wood\, acrylic\, and LED. Courtesy of the artist. Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." \nThis exhibition takes the form of a familiar childhood game and is meant to enhance the desire and ability of visitors to creatively think and question the work presented. Most visitors will have heard of or played Twenty Questions\, which is sometimes called animal\, vegetable\, or mineral. Other visitors will be familiar with the Linnaeus classification system and others will have heard of the radio and television game show of the same name. This approach provides multiple points of entry from lived existence and popular culture for visitors to engage with art. The theme is meant to provide a context that is not intimidating to viewers who might not see themselves as museum patrons or who do not have a background in art history. \nArtists in a wide range of media will be featured. Selected works from the Daum collection will be displayed in conjunction with artists from around the nation. This exhibit will situate the permanent collection work into a broader conversation and extend its meaning. It also makes the underlying complex themes of the artists approachable by presenting them in the context of a familiar game that invites the viewer to build connections between the works presented. The works selected intentionally highlight the contrast between materials and subjects and create different representations of what might be labeled animal\, vegetable\, or mineral. URL:https://www.daummuseum.org/event/animal-vegetable-mineral/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2020/09/jimdine_sunsnightglow.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20230831 DTEND;VALUE=DATE:20231002 DTSTAMP:20260726T111107 CREATED:20230310T213435Z LAST-MODIFIED:20230905T194554Z UID:7692-1693440000-1696204799@www.daummuseum.org SUMMARY:Missouri Photo Workshop: 1980 Sedalia DESCRIPTION:Installation view of "Missouri Photo Workshop: 1980 Sedalia." Photograph taken by Donna Coveney\, Middlesex News\, Framingham\, MA. Installation view of "Missouri Photo Workshop: 1980 Sedalia." Photograph taken by Donna Coveney\, Middlesex News\, Framingham\, MA. Installation view of "Missouri Photo Workshop: 1980 Sedalia." Photograph taken by Amy Huntoon\, Meredith Sun News\, Cupertino\, CA. Installation view of "Missouri Photo Workshop: 1980 Sedalia." Photograph taken by Robert Settles\, Grumman Aerospace Corporation\, Bethpage\, NY. Installation view of "Missouri Photo Workshop: 1980 Sedalia." Photograph taken by Michael Chritton\, Quad City Times\, Davenport\, IA. Installation view of "Missouri Photo Workshop: 1980 Sedalia." \nIn anticipation of Missouri Photo Workshop’s return for its 75th anniversary\, this exhibition features work from the 1980 MPW that took place in Sedalia. \nThe Missouri Photo Workshop has been documenting small-town America for over seven decades. The roots of the Missouri Photo Workshop are embedded firmly in six decades of rich tradition; current workshops carry principals present from the beginning. When the late Clifton C. Edom of the Missouri School of Journalism founded the Missouri Photo Workshop in 1949\, he too\, looked to the past to map the path for photojournalism’s future. Inspired by the gritty\, content-rich photographs of the documentary photo unit of the pre-WWII Farm Security Administration\, Edom promoted research\, observation\, and timing as the methods to make strong story-telling photographs. FSA director Roy Stryker and photographer Russell Lee worked closely with Edom in the creation of the workshop and served as faculty members during its early years. URL:https://www.daummuseum.org/event/missouri-photo-workshop-1980-sedalia/ CATEGORIES:Community Activity,Exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2023/03/thumbnail_mpw32-sd-1980-030D-e1693942249614.jpg END:VEVENT END:VCALENDAR