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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250410
DTEND;VALUE=DATE:20250512
DTSTAMP:20260726T122355
CREATED:20241121T211620Z
LAST-MODIFIED:20250530T192023Z
UID:8361-1744243200-1747007999@www.daummuseum.org
SUMMARY:2025 Annual Student Exhibition
DESCRIPTION:The annual Student Exhibition\, a State Fair Community College tradition dating back to the late 1960s\, is open to all students currently taking studio art classes at the college. Interested student-artists collaborate with art department faculty to select work that best represents them. Each year\, some 50 students exhibit close to 100 artworks in a variety of media. \nStudent Show 2025 installation shot.Student Show 2025 installation shot.  Student Show 2025 installation shot.Student Show 2025 installation shot.  Student Show 2025 installation shot.Student Show 2025 installation shot.  Student Show 2025 installation shot.Student Show 2025 installation shot.  Student Show 2025 installation shot.Student Show 2025 installation shot.  Student Show 2025 installation shot.Student Show 2025 installation shot.  Student Show 2025 installation shot.Student Show 2025 installation shot.  Student Show 2025 installation shot.Student Show 2025 installation shot.  Student Show 2025 installation shot.Student Show 2025 installation shot.  Student Show 2025 installation shot.Student Show 2025 installation shot.  Student Show 2025 installation shot.Student Show 2025 installation shot.  Student Show 2025 installation shot.Student Show 2025 installation shot.  Student Show 2025 installation shot.Student Show 2025 installation shot.  Student Show 2025 installation shot.Student Show 2025 installation shot.
URL:https://www.daummuseum.org/event/2025-annual-student-exhibition/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250329
DTEND;VALUE=DATE:20250818
DTSTAMP:20260726T122355
CREATED:20241121T210038Z
LAST-MODIFIED:20250530T185430Z
UID:8358-1743206400-1755475199@www.daummuseum.org
SUMMARY:Melior
DESCRIPTION:Prints from the Collection \nIn this exhibition\, we are delighted to showcase a dynamic selection of contemporary prints from our museum’s collection\, highlighting printmaking’s creative breadth and technical innovation. From traditional to experimental methods\, these works reflect the diverse possibilities of the printmaking process as an evolving art form. Each piece serves as a unique dialogue between artist\, technique\, and material\, offering insights into the contemporary world while pushing the boundaries of traditional print media. \nAs we celebrate these exceptional works\, we are reminded of the importance of expanding our collection space. This show was born from a need to adjust the arrangement of our collection storage to better accommodate our existing collection. The need to grow and diversify the collection is essential for preserving the rich history and future trajectory of printmaking. By enriching our holdings with new acquisitions\, we ensure that future generations will be able to engage with the ever-evolving language of contemporary art. This exhibition is a powerful testament to the continued relevance of printmaking\, and it underscores the critical need for sustained support to grow and expand the museum’s collection space\, enabling us to preserve\, display\, and inspire with even greater depth and diversity. \nWe invite you to explore the works on display\, reflect on their enduring impact\, and join us in the collective effort to shape a lasting legacy for contemporary printmaking. \n"Melior" installation photo."Melior" installation photo.  "Melior" installation photo."Melior" installation photo.  Jim Dine\, "Sun's Night Glow"\, 2000; Lithograph on paper; Gift of Dr. Harold F. Daum "Melior" installation photo."Melior" installation photo.  "Melior" installation photo."Melior" installation photo.  Roger Shimomura\, "Kansas Samurai"\, 2004; Lithograph in 7 colors; Gift of Dr. Harold F. Daum "Melior" installation photo."Melior" installation photo.  "Melior" installation photo."Melior" installation photo.  Robert Stackhouse\, "Michigan Swell II"\, 2000-2009; Lithograph in 7 colors; Gift of Dr. Harold F. Daum "Melior" installation photo."Melior" installation photo.  "Melior" installation photo."Melior" installation photo.  Michael Krueger\, "Black Moon"\, 2012; Lithograph; Gift of Dr. Harold F. Daum
URL:https://www.daummuseum.org/event/in-print/
CATEGORIES:Community Activity,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2024/11/A_2011.01.86_JPG-rotated-e1738006933737.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250125
DTEND;VALUE=DATE:20250602
DTSTAMP:20260726T122355
CREATED:20241121T205526Z
LAST-MODIFIED:20250128T182700Z
UID:8356-1737763200-1748822399@www.daummuseum.org
SUMMARY:Constructed Chaos
DESCRIPTION:Constructed Chaos explores the dynamic interplay between structure and spontaneity through abstract art. The works on display delve into the dual forces that shape our existence—the inherent order that seeks stability\, clarity\, and control\, juxtaposed with the chaotic\, unpredictable energy that disrupts\, redefines\, and challenges the status quo. \nThrough various mediums and techniques\, the artists reflect on how these opposing forces shape both the external world and our internal landscapes. The exhibition speaks to the moments where chaos and order converge\, pushing and pulling against each other\, creating a tension that we navigate daily in our personal and collective lives. Some works embrace the flux and freedom of unrestrained experimentation\, while others impose rigid lines\, patterns\, and forms that anchor the viewer’s perception\, offering a sense of security amidst the storm. \nThis exhibition asks us to reflect on the complexity of balance. How does order manifest amid uncertainty? Can chaos ever find structure\, and does order need to be disrupted to be truly understood? As viewers move through the space\, they are invited to experience the unresolved friction between these forces\, and perhaps\, to find their own place within this shifting continuum. \nThis exhibition was curated in collaboration with SFCC student Brooklyn Correa as a part of a special problems exhibition course with Museum Director Garry Holstein. Brooklyn J. Correa grew up in the small town of Centerview\, MO. She will graduate in May with her Associate of Arts from SFCC in Sedalia\, MO. She currently works at the Daum Museum of Contemporary Art as a museum attendant. She will transfer to Mizzou in the fall of 2025\, pursuing a degree in English\, with minors in Creative Writing and Art History. Her inspiration for this museum show stemmed from her love of art and the creative aspect that allows both artists and writers to connect. \nLinda Lopez\, "Bermuda Dusty Furry with Midnight Rocks"\, 2022; Pigmented porcelain. Eugene Bavinger\, "Untitled"\, 1972; Acrylic on canvas.Eugene Bavinger\, "Untitled"\, 1972; Acrylic on canvas.  Cary Esser\, "Topo 8"\, 2010; Glazed fritware. Constructed Chaos installation photo Constructed Chaos installation photo Constructed Chaos installation photo Constructed Chaos installation photo Constructed Chaos installation photo Constructed Chaos installation photo Constructed Chaos installation photo Hugh Merrill\, "Adrian"\, 2000; mixed media on panel Dirk De Brucker\, "Belgian"\, 2003; Asphalt and oil on canvas.
URL:https://www.daummuseum.org/event/constructed-chaos/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250125
DTEND;VALUE=DATE:20250526
DTSTAMP:20260726T122355
CREATED:20240906T172752Z
LAST-MODIFIED:20250204T171401Z
UID:8282-1737763200-1748217599@www.daummuseum.org
SUMMARY:Orange You Glad...
DESCRIPTION:We didn’t say banana? People use lighthearted jokes and humor to form emotional bonds with others and these moments of comradery make life more meaningful. Humor in itself is a creative endeavor that makes connections between seemingly contradictory ideas. By focusing on the power of these everyday moments\, we give credence to the idea of the commonality of man. Within the diverse world of human experience\, individual moments—that can be easily overlooked and taken for granted—create memories that shape our existence. In this exhibition\, the chosen artworks were originally linked by a single element—the color orange. As we delved deeper into the process\, new relationships appeared between the works that provided a deeper understanding of how seemingly different styles and media can unite into a singular focus. \nFrom the bold strokes of Sol LeWitt and Robert Motherwell to the subdued hues of Jules Olitski we begin to see the diverse relationships of individual encounters. Focusing on the reactions that these works elicit ground this exhibit in the viewers engagement of each piece. We invite our viewers to experience the intense moments of Irving Kriesberg and Vera Klement\, the fleeting moments of Don Worth and Suda House\, the frenetic energy of Terry Winters and Karen Kunc\, and the soulful stories of Tanya Hartman. Each of these works play with ambiguity. Our lived experiences and individual interpretations influence our understanding of the visual world. This exhibition encourages viewers to embrace and connect with the work in their own way. \nThis exhibition was curated through a collaboration between Daum staff members Marcie Teter and Vicki Weaver\, and Dr. Meghan McClellan of the SFCC Art Department. \nDr. Meghan McClellan is an Art Historian specializing in the art of humor and 19th century photography. She holds a PhD in Art History from the University of Missouri-Columbia (2017)\, with additional degrees including an MA in Art History (2009)\, BA in Art History (2007)\, and AA from Cottey College (2005). As the lead Art History faculty at State Fair Community College since 2018\, McClellan earned nominations for ‘Instructor of the Year’ in 2022 and 2023. Currently\, she is researching the legacy of female artistry in the Midwest. \nMarcie Teter works as the Collections Manager at the Daum Museum and has worked for the museum since 2010. Vicki Weaver is the Curator of Education for the museum and has been with the Daum since its opening in 2002. \nOrange You Glad installation shot Alex Katz\, "Superb Lilies"\, 1972; Lithograph.Alex Katz\, "Superb Lilies"\, 1972; Lithograph.  Orange You Glad installation shot Vera Klement\, "Sunset Swimmer"\, 1990; Oil on canvas.Vera Klement\, "Sunset Swimmer"\, 1990; Oil on canvas.  Orange You Glad installation shot Don Worth\, "Carnations\, Mill Valley\, CA"\, 1986; Cibachrome print.Don Worth\, "Carnations\, Mill Valley\, CA"\, 1986; Cibachrome print.  Orange You Glad installation shot Jules Olitski\, "Untitled"\, 1970; Silkscreen.Jules Olitski\, "Untitled"\, 1970; Silkscreen.  Orange You Glad installation shot Suda House\, "Juno Lucia"\, 1985; Archival Fujiflex print.Suda House\, "Juno Lucia"\, 1985; Archival Fujiflex print.  Philomene Dosek Bennett\, "Berry Bundle Day"\, 1980; Silkscreen. Baruj Salinas\, "Atmosphere"\, 1978; embossed etching on Guarro paper with deckled edges.Baruj Salinas\, "Atmosphere"\, 1978; embossed etching on Guarro paper with deckled edges.  Orange You Glad installation shot Kathy Butterly\, "Star Dust"\, 2022; Glazed porcelain and earthenware.Kathy Butterly\, "Star Dust"\, 2022; Glazed porcelain and earthenware.  Orange You Glad installation shot Yoshiro Ikeda\, "Harvest"\, 1998; Glazed stoneware.Yoshiro Ikeda\, "Harvest"\, 1998; Glazed stoneware.  Orange You Glad installation shot Janet Kuemmerlein\, "Yellow Rose with Bud"\, 1980; Stitched fiber relief sculpture. Orange You Glad installation shot Orange You Glad installation shot Orange You Glad installation shot \n 
URL:https://www.daummuseum.org/event/orange-you-glad-i-didnt-say-banana/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240920
DTEND;VALUE=DATE:20250303
DTSTAMP:20260726T122355
CREATED:20240703T194817Z
LAST-MODIFIED:20240923T182708Z
UID:8223-1726790400-1740959999@www.daummuseum.org
SUMMARY:Rebekah Bogard: You + Me =
DESCRIPTION:"You + Me"\, 2024; painted earthenware "You + Me =" installation shot "Gather Ye Rose-Buds"\, 2024; painted earthenware "You + Me =" installation shot "A Summer's Day"\, 2024; painted earthenware "You + Me =" installation shot Bogard: Flower "You + Me =" installation shot "Heart Song"\, 2024; glazed and painted earthenware "Heart Song"\, 2024; glazed and painted earthenware "Nothing Gold Can Stay"\, 2024; painted earthenware "You + Me =" installation shot "Once A Dream"\, 2024; painted earthenware "Still Waters Run Deep"\, 2024; painted earthenware "Sleep Well"\, 2024; painted earthenware "You + Me =" installation shot "To Meet a Flower"\, 2024; painted earthenware \nThis installation portrays love\, loss\, risk\, and the important role of friendship.  Walking among this cloud-filled dreamscape\, one questions mortality\, the possibilities for life anew\, and alternate realities. \nThrough my symbolic use of animals\, I incorporate existential notions about love\, loss\, risk\, and friendship.  Questions about life\, death\, and mortality are imbedded in this body of work.  The viewer walks among the clouds (painted on the walls at floor level)\, alluding to ideas about an afterlife\, dreamscape\, or perhaps an alternate reality. \nThe viewer is enveloped in a space that invites exploration. Upon entering the gallery\, they become an essential part of the piece\, walking through an environment teeming with life. This experience requires them to be present\, actively making sense of the realm they’ve entered.  As such\, my installations allow various interpretations as the works will have different meanings for different people. \nWhen viewing my work\, people are allowed to contemplate their own reality and perhaps escape or re-think their place in the world.  By exploring complexities through animals\, it becomes a safe space to readdress many of our social complexities\, revealing a desire for connection and the risk that comes with it. \nThrough illusions of clouds\, water\, and trees\, the space draws attention to the relationship between the human-made and the natural world\, prompting viewers to consider environmental themes.  The serene\, almost utopian vision of animals peacefully cohabiting can be interpreted as a commentary on environmental harmony and the hope for a balanced coexistence\, aligning with the notion of innovation in response to environmental crisis. \n-Rebekah Bogard \n—– \nRebekah Bogard received her MFA from the University of Nevada Las Vegas in 2003. She received a BFA from the University of Wyoming in Laramie in 2000. She is currently an Associate Professor in Ceramics at the University of Nevada Reno\, as well as a studio artist. She has received numerous awards including being named an “Emerging Artist” by both the National Council on Education for the Ceramic Arts and Ceramics Monthly Magazine. She has been awarded a residency at the Bemis Center for Contemporary Arts. In addition\, she is a two-time recipient of the Nevada Fine Arts Council Fellowship\, as well as receiving the “Best of Show” in several national art competitions. Her work has been shown in several solo and group exhibitions nationwide. Moreover\, her work has been reviewed in publications such as Art in America\, LA Times\, Ceramics Monthly Magazine\, Clay Times Magazine\, and Artweek. \nBogard employs fictional animals in her artwork to explore the narrative of her life and personal history\, as they can disarm expectations. She utilizes animals because they are beautiful and mysterious creatures\, vulnerable to relations with humans. This susceptibility gives them a sense of benevolence that is often lacking in human interactions. The fictional creatures juxtaposed with non-fictional animals are there to turn the world upside-down and to leave the viewer off balance. By changing the rules of engagement\, fantasies become realities and dreams become actuality. Concrete gender roles no longer exist. Females can be more like males and males can be more like females. \nAs a female artist\, Bogard is interested in gender and how specific gender roles are assigned to both girls and women. She exploits normative female iconography such as flowers\, butterflies\, and curving sensuous lines as well as “feminine” color combinations such as pinks\, purples and pastel blues. She embraces female sexuality\, vulnerability\, and romance not as the stereotypical taboo\, but as an empowered re-contextualization. Through these creatures\, She embraces\, reclaims and redefines female stereotypes; powerful messages relevant to today’s world. \nwww.RebekahBogard.com
URL:https://www.daummuseum.org/event/rebekah-bogard/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240920
DTEND;VALUE=DATE:20250303
DTSTAMP:20260726T122355
CREATED:20240703T193401Z
LAST-MODIFIED:20240923T185449Z
UID:8221-1726790400-1740959999@www.daummuseum.org
SUMMARY:Mantra: Lifespan
DESCRIPTION:"Mantra: Lifespan" Installation shot "The Square Collection: Limenitis arthemis"\, 2024; acrylic on canvas "The Giant Collection: Heliconius Erato Cyrbia II"\, 2024; acrylic on canvas "The Square Collection: Hamadrias amphinome"\, 2024; acrylic on canvas "Mantra: Lifespan" Installation shot "Mantra: Lifespan" Installation shot "Nature morte du Papilio Multicaudatus"\, 2024; acrylic on canvas "Butterflies of Missouri: Board IV"\, 2024; acrylic on canvas "Butterflies of Mexico: Board X"\, 2024; acrylic on canvas"Butterflies of Mexico: Board X"\, 2024; acrylic on canvas  "Mantra: Lifespan" Installation shot "Life span study I-IV"\, 2024; carbon on paper "Mantra: Lifespan" Installation shot Youri "Mantra" Cansell in front of the completed lobby mural \nLIFESPAN: ART BORN IN A MOMENT AND IMMORTALIZED IN TIME \nThe image of the elusive butterfly suggests to us the briefest lifespan\, but is it? Through scientific study we know that butterflies naturally enter states of hibernation\, sometimes for several years\, to prolong their own existence. Most of them migrate\, thousands of miles like the Monarch\, looking for a more favorable climate. Yet\, in our coexistence\, human beings impact those life cycles\, threatening the butterfly’s survival to extinction. \nIn this context\, this exhibition asks profound questions about the fragility of life\, and explores what the butterfly’s ability to prolong time in the face of danger can teach us about our relationship with the natural world. By encapsulating the briefest moment in time\, the butterfly becomes simultaneously a field study and an artwork – life as it happens\, yet also immortalized for wonder and contemplation. \n“Inspired by a lifelong curiosity about the living and a quest to observe the full reality of natural moments\, my art is deeply personal and contemplative. I do not seek to give people an interpretation or a representative concept to wrestle with – rather to enter the moment with me and have their own experience. As a painter\, I am crystallizing my scientist’s observations in the field into art. The artistic expression exists to ask how we preserve these fleeting moments in an urban\, post-industrial setting\, and how they question our notion of time.” \n-Youri Cansell \n—– \nBorn in Metz\, France\, in 1987\, Youri Cansell\, internationally recognized as Mantra\, is a consummate artist and naturalist. Equally skilled at depicting both humans and animals\, Mantra exhibits a special fascination with entomology—the world of insects. Drawing inspiration from his childhood garden in France and his adventures around the globe\, he now creates exquisite paintings and murals\, often featuring moths and butterflies\, on canvas and cityscapes. With acute sensitivity to his surroundings\, Mantra works to create organic relationships between his subjects and their environments. His renderings of infinitely varied species are spectacularly beautiful and scientifically accurate to the smallest detail. Significantly\, he frequently represents these creatures on large facades as if they were lifeless specimens showcased in an exhibition case—a poignant commentary on the alarming decline in biodiversity. \nFrom upscale architectural complexes in New York City to rural community projects and prominent institutional buildings in South America\, Mantra’s public art finds its place amidst diverse urban backdrops. His remarkable proficiency in “trompe l’oeil” techniques\, paired with his passion for nature and human experience\, not only enlivens cities across the world but also draws attention to critical global concerns such as climate change and the urgent need to raise awareness of and preserve natural ecosystems. When he is not immersed in artwork at his studios in Mexico City\, Mantra engages in explorations and collaborates with researchers in the field of entomology worldwide. \nhttp://www.mantrarea.com/ \n—– \nThis exhibition is curated by Justkids. \nJustkids is an award-winning art consulting firm specializing in design\, curatorial\, and production services for creative place making and public art. With over a decade of experience and a broad international network of leading contemporary artists and curators\, Justkids helps diverse urban players—including cities\, architects\, and institutions—to drive culture and create memorable art encounters for varied communities and audiences. Since 2018\, Justkids has collaborated with Mantra and accompanied his career on some of his major projects in the United States and Europe. \nhttps://justkids.art
URL:https://www.daummuseum.org/event/mantra/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240913
DTEND;VALUE=DATE:20250310
DTSTAMP:20260726T122355
CREATED:20240906T172320Z
LAST-MODIFIED:20240913T185156Z
UID:8280-1726185600-1741564799@www.daummuseum.org
SUMMARY:Analogous
DESCRIPTION:Betty Woodman\, "East/West Triptych"\, 2000\, Glazed earthenware; Gift of Dr. Harold F. Daum. Analogous installation photo Analogous installation photo Analogous installation photo Analogous installation photo Analogous installation photo Misty Gamble\, "Madonna of the Long Neck"\, 2015; Stoneware and rabbit skin glue; Anonymous gift.Misty Gamble\, "Madonna of the Long Neck"\, 2015; Stoneware and rabbit skin glue; Anonymous gift.  Analogous installation photo Analogous installation photo Analogous installation photo Analogous installation photo Bobby Silverman\, "Untitled Triptych #14"\, 2007; Glazed porcelain; Gift of Dr. Harold F. Daum.Bobby Silverman\, "Untitled Triptych #14"\, 2007; Glazed porcelain; Gift of Dr. Harold F. Daum.  Analogous installation photo Analogous installation photo \nThis exhibition features ceramics by 12 artists from the Daum Collection. Three works from each artist have been selected to highlight variation while providing consistency. Explorations of form and color intersect with investigations of subject matter to offer a vivid manifestation of the power of clay to communicate abstract and concrete meaning.  This relationship is effective within the pieces of the individual and between the artists because the work shares a common materiality. Artists in the exhibition include Cary Esser\, Suzanne Fagermo\, Misty Gamble\, Yoshiro Ikeda\, Joyce Japlonski\, Jun Kaneko\, Ole Lislerud\, Don Reitz\, Bobby Silverman\, George Timock\, Betty Woodman\, and Dam Wouter.
URL:https://www.daummuseum.org/event/analogous/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240824T130000
DTEND;TZID=America/Chicago:20240824T170000
DTSTAMP:20260726T122355
CREATED:20240723T192557Z
LAST-MODIFIED:20240814T155512Z
UID:8228-1724504400-1724518800@www.daummuseum.org
SUMMARY:Daum Museum Vendor Marketplace
DESCRIPTION:On August 24\, 2024\, from 1:00 – 5:00 p.m.\, the Daum Museum will be hosting a vendor marketplace at the Daum Museum of Contemporary Art\, located on the State Fair Community College Campus. This is the first ever Daum vendor marketplace\, which will accompany back to school activities at State Fair Community College. Vendors will include local artists\, local business owners and makers\, and food trucks. \nProducts available will include ceramics\, original artwork\, woodworking\, homemade pastries and sweets\, paintings\, jewelry\, fired glassware\, tropical houseplants\, caricatures\, metal sculptures\, photography\, and more! Dove Donuts and David’s Original Cheesesteak Co. will also be parked on campus with their delicious food! \nIf you have any questions\, please contact us at 660-596-7177 or amartin9@sfccmo.edu. For more information: Event Facebook Page
URL:https://www.daummuseum.org/event/marketplace/
LOCATION:Daum Lobby\, 3201 West 16th Street\, Sedalia\, MO \, Sedalia\, MO\, 65301
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240627
DTEND;VALUE=DATE:20241218
DTSTAMP:20260726T122355
CREATED:20240508T190359Z
LAST-MODIFIED:20240618T183457Z
UID:8122-1719446400-1734479999@www.daummuseum.org
SUMMARY:Naturally
DESCRIPTION:Installation view of "Naturally." Installation view of "Naturally." Installation view of "Naturally." Nicolas Dhervillers\, Untitled 1\, Oculi\, 2016; archival pigment print. Museum purchase. Installation view of "Naturally." Installation view of "Naturally." Installation view of "Naturally." Installation view of "Naturally." Installation view of "Naturally." Installation view of "Naturally." Installation view of "Naturally." Robyn Horn\, "1355 Staccato\," 2021; box elder burl. Museum purchase. Installation view of "Naturally." Installation view of "Naturally." Ken & Kate Anderson\, "Cross Current #153/River Grace\," 1996; tree bark and painted wood. Gift of Dr. Harold F. Daum. \nNaturally draws from the Daum collection to explore the natural world and our relationship to it. From representations of familiar landscapes to jungle environments\, we find connections and highlight differences in how we live our lives and find inspiration from nature. Ceramic sculpture\, fiber\,  realistic renderings of landscapes\, and abstract reflections of experiences in the world serve to invoke a sense of wonder and inspire visitors to explore the natural world.
URL:https://www.daummuseum.org/event/naturally/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240627
DTEND;VALUE=DATE:20241218
DTSTAMP:20260726T122355
CREATED:20240507T160623Z
LAST-MODIFIED:20240618T184927Z
UID:8118-1719446400-1734479999@www.daummuseum.org
SUMMARY:Consume
DESCRIPTION:Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Sherry Leedy\, "Hopscotch\," 2017; mixed media. Museum purchase. Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Richard E. Loftis\, "3 Ears of Corn\," 2002; digital print. Gift of Ricci Racela & Michael Bonahan. Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Lawrence McFarland\, "Wheatfield\," 1976; gelatin silver print. Gift of Drs. Antonio & Luz Racela. Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Installation view of "Consume." Chris Kilmer\, "RC Johnson Ranch\," 1982; gelatin silver print. Gift of Drs. Antonio & Luz Racela. \nConsume places work from the Daum collection in dialogue with works from around the world through our concurrent juried exhibition\, Feast. Utilizing food as a focal point\, the works presented showcase the process of bringing food to tables\, the people who make meals\, and the places and objects we utilize to consume them. Some of the works are beautiful explorations of form\, light\, and color\, while other pieces hint at challenges presented in our food systems and cultural practices. However\, all come together to explore the shared idea of sustenance.
URL:https://www.daummuseum.org/event/consume/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240531
DTEND;VALUE=DATE:20240902
DTSTAMP:20260726T122355
CREATED:20240207T195518Z
LAST-MODIFIED:20240530T192216Z
UID:8018-1717113600-1725235199@www.daummuseum.org
SUMMARY:Feast
DESCRIPTION:Feast is an exhibition exploring the theme of food in all its flavors\, textures\, colors\, and cultural significance. Food is a focal point through which artists can express human creativity\, history\, and traditions through the idea of nourishment. Consider how various cultures use food as symbols in their meals. From still life to video and social commentary to explorations of color and form\, food or the lack thereof is an aspect of everyone’s life. \nOpen to artists from all backgrounds\, mediums\, and locations. Whether you specialize in painting\, sculpture\, photography\, mixed media\, or any other form of visual art\, we welcome your submissions. \nInstallation view of "Feast." Installation view of "Feast." Benjamin Kjellman-Chapin\, "Utensils for navigating finger food in a post-COVID reality nr. 1\," 2024; forged steel with canola oil. Courtesy of the artist. Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Robyn Nichols\, "Dandelions: Table Setting\," 2021; polished sterling silver and wire. Courtesy of the artist. Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Jonah Graf\, "The Three Sisters\," 2023; painted metal. Courtesy of the artist. Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Installation view of "Feast." Installation view of "Feast."
URL:https://www.daummuseum.org/event/feast/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240411
DTEND;VALUE=DATE:20240513
DTSTAMP:20260726T122355
CREATED:20230310T211030Z
LAST-MODIFIED:20240411T153942Z
UID:7688-1712793600-1715558399@www.daummuseum.org
SUMMARY:2024 Annual Student Exhibition
DESCRIPTION:The annual Student Exhibition\, a State Fair Community College tradition dating back to the late 1960s\, is open to all students currently taking studio art classes at the college. Interested student-artists collaborate with art department faculty to select work that best represents them. Each year\, some 50 students exhibit close to 100 artworks in a variety of media. This year’s exhibition will showcase traditional media as well as new media. \nInstallation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition. Installation view of 2024 Student Exhibition.
URL:https://www.daummuseum.org/event/2023-annual-student-exhibition/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240330
DTEND;VALUE=DATE:20240805
DTSTAMP:20260726T122355
CREATED:20240207T195112Z
LAST-MODIFIED:20240401T160320Z
UID:8016-1711756800-1722815999@www.daummuseum.org
SUMMARY:All We Are
DESCRIPTION:Installation view of "All We Are." Installation view of "All We Are." Stan Welsh\, "Listen\," 2003; terra cotta and glaze. Gift of Dr. Harold F. Daum. Installation view of "All We Are." Installation view of "All We Are." Martin Johnson\, "Thus The Circle\," 2001; mixed media assemblage. Gift of "The Dorothy & Herbert Vogel Collection: Fifty Works for Fifty States"\, a joint initiative of the Trustees of the Dorothy & Herbert Vogel Collections and the National Gallery of Art\, with generous support of the NEA and IMLS. Installation view of "All We Are." Installation view of "All We Are." Installation view of "All We Are." Jim Sajovic\, "Web of Belief\," 1991; acrylic on canvas. Gift of Ron Slowinski. Installation view of "All We Are." Installation view of "All We Are." Jo Whaley\, "The Dunce: A Bewildered Ruler of an Ambiguous World\," 1989; Unique Polaroid photograph. Gift of Ricci Racela & Michael Bonahan. Installation view of "All We Are." Gale Farley\, Untitled\, n.d.; gelatin silver print. Gift of Ricci Racela & Michael Bonahan. Installation view of "All We Are." Installation view of "All We Are." Robert Goodnough\, "Three Figures\," lithograph on paper. Gift of Universal Limited Art Editions. Installation view of "All We Are." Installation view of "All We Are." Installation view of "All We Are." Larry Fink\, "Two Women\, Debutante Ball\, Hotel Pierre\, N.Y.C\," from the portfolio "Making Out\, 1957-1980\," 1980; gelatin silver print. Gift of Drs. Antonio & Luz Racela. \n\n\nThrough a focus on portraits and figurative works in the collection\, this exhibition spans a multiplicity of human experiences and notions of being. The work explores the complexities of identity and the way these are reflected in the depiction of the body. The diversity of perspectives in the work presented is meant to provide a point of resonance for a multiplicity of viewers. This show is meant to reflect a sample of the collective notion of humanity\, inviting viewers to contemplate their place in the world.
URL:https://www.daummuseum.org/event/all-we-are/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240330
DTEND;VALUE=DATE:20240805
DTSTAMP:20260726T122355
CREATED:20230727T163807Z
LAST-MODIFIED:20240415T155932Z
UID:7826-1711756800-1722815999@www.daummuseum.org
SUMMARY:Casey Whittier: Observations
DESCRIPTION:Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations."  Casey Whittier\, "Looking for...\," 2023; terra cotta & earthenware\, fishing line. Courtesy of the artist. Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations."  Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations."  Casey Whittier\, "Anything But Forever (Mead's Milkweed)\," 2018; terra cotta\, earthenware\, and glaze. Courtesy of the artist. Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations."  Casey Whittier\, "Grieta/Rift\," 2024; earthenware (San Miguel)\, clay (Kansas City)\, steel\, fishing line. Courtesy of the artist. Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations."  Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations."  Casey Whittier\, "La fatigue tue. Prenez une pause/Fatigue Kills. Take a Break\," 2024; porcelain\, steel frame\, fishing line\, wire. Courtesy of the artist. Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations."  Installation view of "Casey Whittier: Observations."Installation view of "Casey Whittier: Observations."  \nCasey Whittier received her BFA from the Kansas City Art Institute and MFA from the University of Colorado at Boulder. \nShe is interested in the metaphorical and philosophical power of visual art and the ways in which the ceramic material creates direct connections between the geology of the earth\, basic human needs\, and complex metaphysical desires. Repetitive processes and systems of reliance are often used as metaphors for our interconnectedness. \nWhittier teaches ceramics and social practice at the Kansas City Art Institute and works from her home studio. Whittier works with The Land Institute through their Ecosphere Studies Program cohort and as a participant in their Silphium Civic Science Community\, where research into new perennial and sustainable food and oil seed production is ongoing. \nWhittier was named a 2020 Emerging Artist by Ceramics Monthly Magazine. She serves as President for Artaxis.org. More of her work can be found at www.caseywhittier.com.
URL:https://www.daummuseum.org/event/observations/
CATEGORIES:Community Activity,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2023/07/thumbnail_Casey_W_20232358-e1690475873942.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240125
DTEND;VALUE=DATE:20240527
DTSTAMP:20260726T122355
CREATED:20231219T205615Z
LAST-MODIFIED:20240116T165845Z
UID:7978-1706140800-1716767999@www.daummuseum.org
SUMMARY:Establishing Essence
DESCRIPTION:John Balistreri\, Untitled NC16\, 2001; salt-fired glazed stoneware. Gift of Dr. Harold F. Daum. Installation view of "Establishing Essence." Installation view of "Establishing Essence." Ken Worley\, "Rockwood VI.5\," 2005; oil stick on canvas. Gift of Dr. Harold F. Daum. Installation view of "Establishing Essence." Installation view of "Establishing Essence." Julia Fernandez-Pol\, "Cascading Chrysanthemum\," 2009; oil on canvas. Gift of Dr. Harold F. Daum. Installation view of "Establishing Essence." Installation view of "Establishing Essence." Helen Frankenthaler\, "Geisha\," 2003; 23-color Ukiyo-e woodcut on paper. Museum purchase. Installation view of "Establishing Essence." Installation view of "Establishing Essence." \nThis exhibition draws from the animation style of Mary Blair and Eyvind Earle and explores elements of geometry\, landscape\, and color. The atmosphere of this gallery is intended to pull inspiration from stylistic\, fantastical aspects of the animators and create a physical experience for the viewers that embodies the essence of early Disney artists. In this grouping\, the Daum collection is recontextualized to evoke a sense of wonder in the everyday and a connective tissue that weaves the artists’ individual stories together.
URL:https://www.daummuseum.org/event/establishing-essence/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240125
DTEND;VALUE=DATE:20240527
DTSTAMP:20260726T122355
CREATED:20230713T213608Z
LAST-MODIFIED:20240125T193855Z
UID:7823-1706140800-1716767999@www.daummuseum.org
SUMMARY:Haunted Francis in Fantasyland/Living on Deadlines
DESCRIPTION:Installation view of "Living on Deadlines." Installation view of "Living on Deadlines." Installation view of "Living on Deadlines." Installation view of "Living on Deadlines." Installation view of "Living on Deadlines." Installation view of "Haunted Francis in Fantasyland." Installation view of "Haunted Francis in Fantasyland." Installation view of "Haunted Francis in Fantasyland." Installation view of "Haunted Francis in Fantasyland." Installation view of "Haunted Francis in Fantasyland." Installation view of "Haunted Francis in Fantasyland." \nJohn F. Malta is a Cleveland\, Ohio-born\, multi-disciplinary artist\, author\, and educator. After spending most of his life along the Erie shore of Northeast Ohio he moved to New York City where he earned an MFA in Illustration As Visual Essay from The School of Visual Arts. He later relocated to Kansas City\, where he works out of a studio based in the West Bottoms. \nHis client list includes The New York Times\, The New Yorker\, Adult Swim\, Beyond the Streets\, Garbage Pail Kids\, The Wall Street Journal\, Honda\, The Boston Globe\, Liquid Death\, Complex\, Dr. Martens\, Premier Guitar\, and Sports Illustrated For Kids. \nMalta’s paintings\, comics\, zines\, and installations have been exhibited widely nationally and internationally at galleries\, art book fairs\, and institutions such as Comic Arts Brooklyn\, Comic Arts Los Angeles\, Toronto Comic Arts Festival\, Hashimoto Contemporary\, New Image Art\, Spoke Art Gallery\, Good Mother Gallery\, Superchief\, Gallery Nucleus\, Cooler Gallery\, and Skylab Gallery. \nHe is the creator of the punk zine odyssey Haunted Francis and the author of Intergalactic Moving Day\, a picture book published by POW! Kids Books. His comic art and illustration have been awarded and recognized by AIGA Eye on Design\, The Society of Illustrators\, Juxtapoz\, KIRKUS\, and American Illustration. \nFor the past decade\, he has served as Program Coordinator and Professor for The University of Central Missouri BFA Studio Art Illustration program.
URL:https://www.daummuseum.org/event/haunted-francis-in-fantasyland-living-on-deadlines/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231012
DTEND;VALUE=DATE:20240331
DTSTAMP:20260726T122355
CREATED:20231016T183804Z
LAST-MODIFIED:20231016T183835Z
UID:7938-1697068800-1711843199@www.daummuseum.org
SUMMARY:Of the Earth: Ceramics from the Collection
DESCRIPTION:Of the Earth showcases a survey of ceramics from the Daum’s permanent collection. This exhibition displays a myriad of ways to create and finish artwork\, ranging from traditional methods of firing to vessels coated with flocking. From platters to sculpture\, these works highlight the diversity of the ceramic medium and the artists who created them represented in the museum’s collection. \nInstallation view of "Of the Earth." Installation view of "Of the Earth." Installation view of "Of the Earth." Robert Sperry\, "Plate #891A\," 1989; glazed stoneware. Gift of Dr. Harold F. Daum. Installation view of "Of the Earth." Installation view of "Of the Earth." Installation view of "Of the Earth." Christopher Russell\, "Tooth and Claw\," 2014; glazed white terra cotta. Museum purchase with funds from Nancy Case. Installation view of "Of the Earth." Installation view of "Of the Earth." Installation view of "Of the Earth." Betty Woodman\, "Clematis\," 1987; glazed earthenware. Gift of Charlie Woodman & Andrea Terrice. Installation view of "Of the Earth." Installation view of "Of the Earth." Installation view of "Of the Earth." Yoshiro Ikeda\, "Nugget\," 1998; glazed stoneware. Gift of Dr. Harold F. Daum. Installation view of "Of the Earth."
URL:https://www.daummuseum.org/event/of-the-earth-ceramics-from-the-collection/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230930
DTEND;VALUE=DATE:20240301
DTSTAMP:20260726T122355
CREATED:20230821T182129Z
LAST-MODIFIED:20231114T142318Z
UID:7856-1696032000-1709251199@www.daummuseum.org
SUMMARY:Y`akyi nnwa: Let's Have a Conversation
DESCRIPTION:Installation view of "Y`akyi nnwa: Let’s Have a Conversation." Vincent (Sniper) Frimpong\, "Half & 1/2\," 2023; stoneware\, resin\, found object\, and wood. Courtesy of the artist. Installation view of "Y`akyi nnwa: Let’s Have a Conversation." Vincent (Sniper) Frimpong\, Untitled\, 2023; stoneware\, resin\, found objects\, and metal. Courtesy of the artist. Installation view of "Y`akyi nnwa: Let’s Have a Conversation." Installation view of "Y`akyi nnwa: Let’s Have a Conversation." Vincent (Sniper) Frimpong\, "Return of Kwaku the Traveler\," 2023; clay\, metal\, wood\, beads\, and fur. Courtesy of the artist. Owusu Ross Junior\, "Ankonam (Self-love) Series II\," 2023; bicycle rims\, fabrics\, cast bronze\, cast aluminum\, and resin. Courtesy of the artist. Installation view of "Y`akyi nnwa: Let’s Have a Conversation." Vincent (Sniper) Frimpong\, "Bearing Arms\," 2022; stoneware\, flywhisk\, and beads. Courtesy of the artist. \nVincent Frimpong (SNIPER) and Ross Junior Owusu are contemporary Ghanaian artists currently based in the United States. This two-person exhibition is a place for sharing the visual language of “What does it mean to be African?”
URL:https://www.daummuseum.org/event/yakyi-nnwa-lets-have-a-conversation/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230930
DTEND;VALUE=DATE:20240301
DTSTAMP:20260726T122355
CREATED:20230310T212945Z
LAST-MODIFIED:20230928T162325Z
UID:7690-1696032000-1709251199@www.daummuseum.org
SUMMARY:Animal/Vegetable/Mineral
DESCRIPTION:Installation view of "Animal/Vegetable/Mineral." Robert Kushner\, "Species Tulips and Columbines\," 2013; acrylic\, oil\, and palladium leaf on canvas. Gift of Dr. Harold F. Daum. Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." Lindsay Pichaske\, "Guardian\," 2022; earthenware\, paint\, graphite\, and charcoal. Courtesy of the artist. Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." Calder Kamin\, "Baby Foxfire\," 2023; recycled materials. Courtesy of the artist. Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." Justin King\, "Coyote Cloud\," 2023; wood\, acrylic\, and LED. Courtesy of the artist. Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." Installation view of "Animal/Vegetable/Mineral." \nThis exhibition takes the form of a familiar childhood game and is meant to enhance the desire and ability of visitors to creatively think and question the work presented. Most visitors will have heard of or played Twenty Questions\, which is sometimes called animal\, vegetable\, or mineral. Other visitors will be familiar with the Linnaeus classification system and others will have heard of the radio and television game show of the same name. This approach provides multiple points of entry from lived existence and popular culture for visitors to engage with art. The theme is meant to provide a context that is not intimidating to viewers who might not see themselves as museum patrons or who do not have a background in art history. \nArtists in a wide range of media will be featured. Selected works from the Daum collection will be displayed in conjunction with artists from around the nation. This exhibit will situate the permanent collection work into a broader conversation and extend its meaning. It also makes the underlying complex themes of the artists approachable by presenting them in the context of a familiar game that invites the viewer to build connections between the works presented. The works selected intentionally highlight the contrast between materials and subjects and create different representations of what might be labeled animal\, vegetable\, or mineral.
URL:https://www.daummuseum.org/event/animal-vegetable-mineral/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230831
DTEND;VALUE=DATE:20231002
DTSTAMP:20260726T122355
CREATED:20230310T213435Z
LAST-MODIFIED:20230905T194554Z
UID:7692-1693440000-1696204799@www.daummuseum.org
SUMMARY:Missouri Photo Workshop: 1980 Sedalia
DESCRIPTION:Installation view of "Missouri Photo Workshop: 1980 Sedalia." Photograph taken by Donna Coveney\, Middlesex News\, Framingham\, MA. Installation view of "Missouri Photo Workshop: 1980 Sedalia." Photograph taken by Donna Coveney\, Middlesex News\, Framingham\, MA. Installation view of "Missouri Photo Workshop: 1980 Sedalia." Photograph taken by Amy Huntoon\, Meredith Sun News\, Cupertino\, CA. Installation view of "Missouri Photo Workshop: 1980 Sedalia." Photograph taken by Robert Settles\, Grumman Aerospace Corporation\, Bethpage\, NY. Installation view of "Missouri Photo Workshop: 1980 Sedalia." Photograph taken by Michael Chritton\, Quad City Times\, Davenport\, IA. Installation view of "Missouri Photo Workshop: 1980 Sedalia." \nIn anticipation of Missouri Photo Workshop’s return for its 75th anniversary\, this exhibition features work from the 1980 MPW that took place in Sedalia. \nThe Missouri Photo Workshop has been documenting small-town America for over seven decades. The roots of the Missouri Photo Workshop are embedded firmly in six decades of rich tradition; current workshops carry principals present from the beginning. When the late Clifton C. Edom of the Missouri School of Journalism founded the Missouri Photo Workshop in 1949\, he too\, looked to the past to map the path for photojournalism’s future. Inspired by the gritty\, content-rich photographs of the documentary photo unit of the pre-WWII Farm Security Administration\, Edom promoted research\, observation\, and timing as the methods to make strong story-telling photographs. FSA director Roy Stryker and photographer Russell Lee worked closely with Edom in the creation of the workshop and served as faculty members during its early years.
URL:https://www.daummuseum.org/event/missouri-photo-workshop-1980-sedalia/
CATEGORIES:Community Activity,Exhibitions
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230816
DTEND;VALUE=DATE:20231218
DTSTAMP:20260726T122355
CREATED:20230810T142641Z
LAST-MODIFIED:20230928T161859Z
UID:7852-1692144000-1702857599@www.daummuseum.org
SUMMARY:color–shape–line
DESCRIPTION:Karen Kunc\, "New Elemental Dawn\," 1991; woodcut; 37 x 52 in. Gift of Dr. Harold F. Daum. Installation view of "color–shape–line." Installation view of "color–shape–line." Robert Natkin\, "Apollo\," 1975; acrylic on paper; 24.250 x 19.250 in. Gift of Dr. Harold F. Daum.Robert Natkin\, "Apollo\," 1975; acrylic on paper; 24.250 x 19.250 in.  Gift of Dr. Harold F. Daum. Installation view of "color–shape–line." Installation view of "color–shape–line." Sol LeWitt\, "Wavy Brushstrokes Superimposed\," 1995; etching; 35 x 35 in. Gift of Dr. Harold F. Daum. Installation view of "color–shape–line." Installation view of "color–shape–line." Valerie Beller\, "Bosque\," 2008; oil on canvas; 50 x 50 in. Gift of Dr. Harold F. Daum. Installation view of "color–shape–line." Installation view of "color–shape–line." Jim Waid\, "Chanticleer\," 1992; acrylic on canvas; 84 x 133 in. Museum purchase. Installation view of "color–shape–line." \ncolor–shape–line is a selection of works from the Daum collection that focuses on abstraction since 1965. The exhibition showcases artists from around the world who have utilized the visual language of color\, shape\, and line to communicate their subjective experiences. Approaches from geometric to lyrical abstraction are present in this grouping.  While the degree of departure from representation varies\, all the pieces in the exhibition invite the viewer to interpret and share in the process of understanding.
URL:https://www.daummuseum.org/event/color-shape-line/
CATEGORIES:Community Activity,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2023/08/A_2017.07.19_JPG.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230812
DTEND;VALUE=DATE:20231218
DTSTAMP:20260726T122355
CREATED:20230706T202102Z
LAST-MODIFIED:20230926T194015Z
UID:7812-1691798400-1702857599@www.daummuseum.org
SUMMARY:a place like this
DESCRIPTION:This exhibition looks at the idea of place from a variety of perspectives and approaches to making. Utilizing both representational and conceptual approaches\, a wide range of manifestations of place serve to show us what is familiar and quite different from our own piece of the world. These works are meant to serve as a window to the larger environment and raise our awareness of the experience we have in our everyday surroundings. \nPhillip Maberry\, "Ceramic Relief\," 1995; glazed earthenware; 36.5 x 48.5 x 10 in. Gift of John and Sharon Hoffman. Installation view of "a place like this." Installation view of "a place like this." Michael Byron\, "The Activity in Rm. 501\," 2006; oil on canvas; 48 x 54 in. Museum purchase. Installation view of "a place like this." Installation view of "a place like this." Nancy Newman Rice\, "Afterwards I\," 2019; oil on canvas; 40 x 40 in. Museum purchase. Installation view of "a place like this." Installation view of "a place like this." Installation view of "a place like this." Installation view of "a place like this." Linda Connor\, "Tree and Temple\, To Prahm\, Angkor\, Cambodia\," 2000; gold chloride-toned print; 7.625 x 9.625 in. Gift of Drs. Antonio & Luz Racela. Installation view of "a place like this." Installation view of "a place like this." Installation view of "a place like this." Installation view of "a place like this." Mark Klett\, "Light Falling on the Buddha\, Temple\, Marrang\, Nepal\," 1981/1985; dye transfer print; 16 x 20 in. Gift of Drs. Antonio & Luz Racela.
URL:https://www.daummuseum.org/event/in-a-place-like-this/
CATEGORIES:Community Activity,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://www.daummuseum.org/wp-content/uploads/2023/07/R_2021.04_JPG.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230525
DTEND;VALUE=DATE:20230904
DTSTAMP:20260726T122355
CREATED:20230331T195025Z
LAST-MODIFIED:20230605T181623Z
UID:7707-1684972800-1693785599@www.daummuseum.org
SUMMARY:Long Way Home: C. Finley
DESCRIPTION:Installation view of "Long Way Home: C. Finley." Photo by E.G. Schemph. C. Finley\, "Junk Jewelry Mandala\," 2027; mixed media. Courtesy of the artist. Installation view of "Long Way Home: C. Finley." Photo by E.G. Schemph. C. Finley & Aaron Sciandra\, "Two Hot Hands Wrapped Around Your Body\," 2018; cotton and wool; 85 x 85 in. Installation view of "Long Way Home: C. Finley." Photo by E.G. Schemph. C. Finley\, "Angel of Women\," 2019; acrylic on canvas; 48 x 30 in. Courtesy of the artist. Installation view of "Long Way Home: C. Finley." Photo by E.G. Schemph. Installation view of "Long Way Home: C. Finley." Photo by E.G. Schemph. C. FInley\, "Lady Justice (Libra)\," 2023; acrylic on canvas; 66 x 66 in. Courtesy of the artist. Installation view of "Long Way Home: C. Finley." Photo by E.G. Schemph. C. Finley\, "Dual Nature\," 2020; acrylic on canvas; 52 x 40 in. Courtesy of the artist. Installation view of "Long Way Home: C. Finley." Photo by E.G. Schemph. C. Finley\, "Finite and Infinite Games\," 2010; acrylic on canvas; 12 x 48 ft. Courtesy of the artist. Photo by E.G. Schemph. \nIn the colorful\, experiential art of C. Finley\, incandescent paintings designate sites for community\, exhibitions are laboratories\, and representational power is decentralized. Her art and public works produce the conditions needed to change our world\, encouraging other artists to create alongside her in spaces defined by vibratory beauty where all are welcome to glimpse the utopia that is already present\, that we need only lean into. \nC. Finley\, Founder and Curator of the Every Woman Biennial and director of the La MaMa Galleria is known for her elaborate paintings and intense use of color\, monumental murals\, multi-disciplinary collaborations\, and her activism through urban art interventions\, including her acclaimed Wallpapered Dumpsters. \nAs the creator of the 2014-2021 Every Woman Biennial she exhibited 1200 female and non-binary artists in New York\, Los Angeles and London. \nFinley has shown internationally and her work has been featured in the The New York Times\, La Repubblica\, Dazed\, Fast Company\, Women’s Wear Daily\, LALA\, and more.
URL:https://www.daummuseum.org/event/long-road-home-finley/
CATEGORIES:Community Activity,Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230525
DTEND;VALUE=DATE:20230821
DTSTAMP:20260726T122355
CREATED:20230310T213525Z
LAST-MODIFIED:20230524T195530Z
UID:7691-1684972800-1692575999@www.daummuseum.org
SUMMARY:Synthesis
DESCRIPTION:Ashley Edes\, "Fire of Time"\, 2021; collage on linen on matboard; 21.125 x 17.125 x .875 in. Courtesy of the artist.Ashley Edes\, "Fire of Time\," 2021; collage on linen on matboard; 21.125 x 17.125 x .875 in. Courtesy of the artist. Installation view of "Synthesis".Installation view of "Synthesis." Installation view of "Synthesis".Installation view of "Synthesis." Installation view of "Synthesis".Installation view of "Synthesis." Ben Franklin\, "The Ideal Pet"\, 2022; wood\, metal\, glass\, and found objects; 26 x 18 x 9 in. Courtesy of the artist.Ben Franklin\, "The Ideal Pet\," 2022; wood\, metal\, glass\, and found objects; 26 x 18 x 9 in. Courtesy of the artist. Installation view of "Synthesis".Installation view of "Synthesis." Tootie Burns\, "Skull"\, 2023; beads\, paper\, and paint; 8 x 8 x 1 in. Courtesy of the artist.Tootie Burns\, "Skull\," 2023; beads\, paper\, and paint; 8 x 8 x 1 in. Courtesy of the artist. Installation view of "Synthesis".Installation view of "Synthesis." Installation view of "Synthesis".Installation view of "Synthesis." Leandra Spangler\, "Coming to Terms"\, 2022; mixed fiber collage; 4.50 x 36 x 5 in. Courtesy of the artist.Leandra Spangler\, "Coming to Terms\," 2022; mixed fiber collage; 4.50 x 36 x 5 in. Courtesy of the artist. Installation view of "Synthesis".Installation view of "Synthesis." Installation view of "Synthesis".Installation view of "Synthesis." Installation view of "Synthesis".Installation view of "Synthesis." Gary Cadwallader\, "Sisters"\, 2021; watercolor\, paper cutouts\, beads\, and pins; 38 x 58 x 3 in. Courtesy of the artist.Gary Cadwallader\, "Sisters\," 2021; watercolor\, paper cutouts\, beads\, and pins; 38 x 58 x 3 in. Courtesy of the artist. \nSynthesis brings together artists from across the region who are actively participating in local artist communities. It is the first of many exhibitions that seek to identify and support the artists who help to define our cultural landscape. This exhibition is open to members of the Sedalia Visual Art Association\, Mid-Missouri Artists\, Inc.\, Columbia Art League\, and participants in NoBro art events.
URL:https://www.daummuseum.org/event/synthesis/
CATEGORIES:Community Activity,Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230506
DTEND;VALUE=DATE:20230904
DTSTAMP:20260726T122355
CREATED:20230504T141528Z
LAST-MODIFIED:20230531T204636Z
UID:7737-1683331200-1693785599@www.daummuseum.org
SUMMARY:absence • presence
DESCRIPTION:Rena Small\, "Andy Warhol\," from the "Artists' Hands Grid Continuum project"\, 1988; photograph; 10.500 x 13.000 in. Gift of the artist. Installation view of "absence • presence." Installation view of "absence • presence." Installation view of "absence • presence." Jasper Johns\, "Regrets\," 2014; intaglio with chine-collé; 26.250 x 34.125 in. Gift of Dr. Harold F. Daum. Installation view of "absence • presence." Installation view of "absence • presence." Installation view of "absence • presence." Olivia Parker\, "Leaving the Scene\," 1985; gelatin silver print; 14.875 x 17.375 in. Installation view of "absence • presence." Robert Longo\, "Sandy\," from the series "Men in the City\," 1999; lithograph; 70 x 40 in. Gift of Dr. Harold F. Daum. Robert Longo\, "Eric\," from the series "Men in the City\," 1999; lithograph; 70 x 40 in. Gift of Dr. Harold F. Daum. \nabsence • presence is an exploration of Daum’s collection built upon the framework of contrast. This context provides a method of amalgamation for dialogue about identity and existence across modes of representation and generations of makers. Kara Walker’s disruption of a historical text to tell the story of the American Civil War from the perspective of the slaves through the use of grotesque silhouettes is placed in conversation with Motherwell’s reflection on the Spanish Civil War and his perception of the fascist-led destruction of democracy. \nEach of the works selected for this show pushes and pulls on the notion of presence and absence. Though the work is largely black and white\, some restricted elements of color are present to emphasize the idea that it is not at the extremes of dualities that we reach understanding\, but in all of the variations and moments in between.
URL:https://www.daummuseum.org/event/absence-presence/
CATEGORIES:Community Activity,Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230225
DTEND;VALUE=DATE:20230731
DTSTAMP:20260726T122355
CREATED:20230223T220118Z
LAST-MODIFIED:20230303T172556Z
UID:7602-1677283200-1690761599@www.daummuseum.org
SUMMARY:Threads That Bind: Elucidating Diverse Voices of Womanhood
DESCRIPTION:Donna Sharrett\, "Ramble On\," 2014; my father’s clothing\, guitar-strings\, watch face\, blue jeans seams\, buttons\, synthetic hair and thread; 50 x 50 in.    Tip Toland (American\, b. 1950)\, “Weeping Giant\,” 2016; stoneware with paint and pastel chalk; 16 ½ x 22 x 16 ½ in. Collection Daum Museum of Contemporary Art\, museum purchase. Amy Cutler\, "Groomers"\, 2008; ink and paper\, 34.125 x 34.125 in. Museum purchase. Installation View of "Threads That Bind: Elucidating Diverse Voices of Womanhood".Installation View of "Threads That Bind: Elucidating Diverse Voices of Womanhood".  Debra Smith\, "Memory Trace 5"\, 2016; silk\, 30 x 24 in. Museum purchase Installation View of "Threads That Bind: Elucidating Diverse Voices of Womanhood".Installation View of "Threads That Bind: Elucidating Diverse Voices of Womanhood".  Kuemmerlein\, Janet\, "Sea Fronds"\, 2005; fiber\, 60 x 42 x 2 in. Gift of Jean Rozmus. Installation View of "Threads That Bind: Elucidating Diverse Voices of Womanhood".Installation View of "Threads That Bind: Elucidating Diverse Voices of Womanhood".  Viola Frey\, "Plate"\, 1988; earthenware/glaze\, 4 x 32 in. Museum purchase.Viola Frey\, "Plate"\, 1988; glazed earthenware\, 32 in. diameter x 4 in. Museum purchase. Eva Lundsager\, "The Assumption of Vivian"\, 2007; oil paint and linen\, 60 x 84 in. Museum purchase. Ruth Borgenicht\, "Cubed Rings"\, 2004; stoneware\, 11 x 8 x 10 in. Gift of Dr. Harold F. Daum Amy Cutler\, "Reserves"\, 2008; ink and paper\, 34.125 x 34.125 in. Museum purchase. Installation View of "Threads That Bind: Elucidating Diverse Voices of Womanhood".Installation View of "Threads That Bind: Elucidating Diverse Voices of Womanhood".  Debra Smith\, "Memory Trace 3"\, 2016; silk\, 30 x 24 in. Museum purchase Installation View of "Threads That Bind: Elucidating Diverse Voices of Womanhood".Installation View of "Threads That Bind: Elucidating Diverse Voices of Womanhood".  VTS Image July 13Amy Cutler\, "Weavers"\, 2008; ink and paper\, 34.125 x 34.125 in. Museum purchase. Amy Cutler\, "Provisions"\, 2008; ink and paper\, 34.125 x 34.125 in. Museum purchase. Ruth Duckworth (American\, b. Germany\, 1919-2009)\, Untitled\, 2000; glazed porcelain; 24.75 x 24 x 5.75 in. Collection Daum Museum of Contemporary Art\, gift of Dr. Harold F. Daum.Ruth Duckworth\, Untitled\, 2000; glazed porcelain; 24.75 x 24 x 5.75 in. Collection Daum Museum of Contemporary Art\, gift of Dr. Harold F. Daum. Debra Smith\, "Memory Trace 2"\, 2016; silk\, 30 x 24 in. Museum purchase Installation View of "Threads That Bind: Elucidating Diverse Voices of Womanhood".Installation View of "Threads That Bind: Elucidating Diverse Voices of Womanhood".  \nThreads That Bind offers a new lens into the complex visual history of Women’s Work. Through a diverse range of mediums\, including paintings\, photographs\, sculptures\, and a challenging representation of textiles\, this show aims to reframe traditional gender norms and offer a fresh\, empowering perspective on what it means to be a woman artist. \n  \nThe history of Women’s Work is vast\, contradictory\, and culturally problematic. Artistic products such as quilts\, needlework\, porcelain painting\, and painted miniatures were created by women as representative of their sex. However\, these forms were characteristically left out of the art historical canon. Thus\, women were held to a standard of creativity that was not allowed into the larger discourse because it was seen as a “lesser” form of art. The irony of this same expectation is that it worked the opposite way as well. Women artists who boldly stretched outside the scope of patriarchal womanhood were then ostracized by their improper representation of their sex. Womanhood in terms of art was regulated to a critical domain that did not allow aggressive\, angular brushstrokes\, large canvases\, or sculptures\, and yet\, overt emotions\, representations of women’s lives\, and women’s work were inherently dismissed as “less than.” This exhibition aims to represent the duality of womanhood and the individuals that dare to challenge our view of what it means to be a woman artist. \n  \nThe women within this show call out these expectations and assert the feminine as a declaration of their own voice as individuals\, and as a collective. The jarring emotions of a Weeping Giant\, stripped bare\, humanizes\, and breaks the gendered perception of emotions and empowers the balancing act of Grin and Bear It. The precision of Linda Connor’s meticulously placed shells over the face of Botticelli’s boldly sexualized Birth of Venus accentuates the daring and decisive strokes of Helen Frankenthaler. The stitched fabric of Donna Sharrett’s father’s shirts after he passed\, memorializes sentimentality and quilting as heroic in size and presentation. Ruth Borgenicht’s Cubed Rings subverts the masculine\, protective quality\, and form of chain mail with delicate ceramic links. This diverse collection of Women’s Work articulates an intricately woven community of women artists who subvert\, reclaim\, and redefine the voice of womanhood.
URL:https://www.daummuseum.org/event/threads-that-bind-elucidating-diverse-voices-of-womanhood/
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230126
DTEND;VALUE=DATE:20230421
DTSTAMP:20260726T122355
CREATED:20221214T175832Z
LAST-MODIFIED:20230206T204645Z
UID:7538-1674691200-1682035199@www.daummuseum.org
SUMMARY:Coalescence: Exploring Contemporary Ceramics and Artist Communities
DESCRIPTION:Coalescence is a joining of artists and art organizations. Artaxis is a network of contemporary artists that engage the ceramics community through promotion\, education\, and networking. Josh Novak of Longwell Museum and Artaxis board members created an invitational in 2022 as a celebration of diverse ceramic practices. Daum Museum is furthering dialogue among Artaxis members by drawing from the Daum collection\, adding work from original participants\, and inviting new voices. \nRenata Cassiano Alvarez\, Nikki-Renee Anderson\, Eliza Au\, Ian Bassett\, Rebekah Bogard\, Jason Briggs\, Paul Briggs\, Jonathan Christensen Caballero\, Pattie Chalmers\, Adam Chau\, Marisa Finos\, Misty Gamble\, Brian Harper\, Rain Harris\, Natasha Hovey\, Erica Iman\, Samuel Johnson\, Mika Negishi Laidlaw\, Steven Young Lee\, Linda Lighton\, Linda Lopez\, Lauren Mabry\, Didem Mert\, Jeffrey Mongrain\, Steven Montgomery\, Gregg Moore\, Richard Notkin\, Kyounghwa Oh\, Jarred Pfeiffer\, Gina Pisto\, Thomas Schmidt\, Virginia Scotchie\, Malcolm Mobutu Smith\, Kwok-Pong “Bobby” Tso\, Josh Van Stippen\, Adam Welch\, Casey Whittier\, Nicole Woodard\, Jenchi Wu \nKwok-pong “Bobby” Tso\, “In-between (Where neon still glow)\,” 2022; ceramic with underglazes\, decals\, LEDs\, wood\, metals\, and rubbers; 15 3/8 x 22 x 7 in. Courtesy of the artist. Rebekah Bogard\, “Shelter\,” 2018; earthenware and oil paint; 26 x 39 x 25 in. Courtesy of the artist. Adam Welch\, “Fetish: Mother of Pearl\,” 2018; brick\, glaze\, mother of pearl\, and wood; 7 x 12 x 3 in. Courtesy of the artist. Marisa Finos\, “Vessel V\,” 2019; clay video documentation of 2-hour performance; 4:03. Courtesy of the artist. Malcolm Mobutu Smith\, “Churner\,” 2021; ceramic. Courtesy of the artist.Malcolm Mobutu Smith\, “Churner\,” 2021; ceramic. Courtesy of the artist.  Renata Cassiano Alvarez\, “Latumba\,” 2020; ceramic\, wood\, and casters; 60 x 28 x 28 in. Courtesy of the artist. Jenchi Wu\, “Divide\,” 2022; ceramic; 50 x 42 x 5 in. Courtesy of the artist. Adam Chau\, “Sit\,” 2020; lustre CNC decorated porcelain tiles; 40 x 18 in. Courtesy of the artist. Jason Briggs\, “Blonde\,” 2010; porcelain\, hair\, and steel pegs; 6 x 10 x 70 in. Courtesy of the artist. Jonathan Christensen Caballero\, “Golden Child/Niño Dorado\,” 2020; earthenware\, secondhand fiber\, metal\, and wood; 27 x 26 x 15 in. Courtesy of the artist. Natasha Hovey\, “Linear Order\,” 2018; glazed ceramic\, monofilament\, and steel; 96 x 96 x 10 in. Courtesy of the artist. Brian Harper\, “Bunker Series: Square Pillbox\,” 2022; earthenware\, wood\, and epoxy; 8 x 18 x 16 in. Courtesy of the artist. Eliza Au\, “Green Cube\,” 2022; glazed stoneware; 7 ½ x 7 ½ x 7 ½ in. Courtesy of the artist. Linda Lopez\, “Bermuda Dust Furry with Midnight Rocks\, 2022; pigmented porcelain; 7 ¼ x 7 x 7 ¼ in. Courtesy of the artist. Nicole Woodard\, “Figure II\,” 2022; ceramic; 26 x 12 x 8 in. Courtesy of the artist. Samuel Johnson\, “Ember Encrusted Jar\,” 2021; wood-fired stoneware; 21 x 20 x 20. Courtesy of the artist. Didem Mert\, “Bling Polka Dotted Squiggle Mug\,” 2022; porcelain with underglazes\, washes\, glazes\, and lustre; 3 ½ x 4 ½ x 3 ½ in. Courtesy of the artist. Rebekah Bogard\, “Chance Encounter\,” 2018; earthenware and oil paint; 46 x 39 x 25 in. Courtesy of the artist. Adam Chau\, “Point\,” 2020; lustre CNC decorated porcelain tiles; 40 x 18 in. Courtesy of the artist. Nikki-Renee Anderson\, “Bubble Garden\,” 2022; glazed stoneware; variable dimensions. Courtesy of the artist. Jarred Pfeiffer\, “Bubble Clouds\,” 2022; slip-case and wood-fired porcelain; 18 x 18 x 6 in. Courtesy of the artist. Artaxis logo
URL:https://www.daummuseum.org/event/coalescence-exploring-contemporary-ceramics-and-artist-communities/
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220930
DTEND;VALUE=DATE:20230529
DTSTAMP:20260726T122355
CREATED:20230222T220409Z
LAST-MODIFIED:20230222T220409Z
UID:7599-1664496000-1685318399@www.daummuseum.org
SUMMARY:The Daum at 20: Origins of the Collection
DESCRIPTION:The Daum at 20 celebrates the twentieth anniversary of the museum’s opening in 2002. The museum-wide exhibition will highlight the most significant acquisitions during this time period. Since the museum’s founding\, based on the personal collection of the Daum’s primary benefactor\, Dr. Harold F. Daum\, the collection has increased from about 200 artworks to more than 2\,000. The exhibition will be divided into media\, with focuses on painting\, ceramics\, photography\, prints\, and a section devoted to the original works that were once installed in Dr. Daum’s home. Among the artists to be featured are Helen Frankenthaler\, Larry Poons\, Philomene Dosek Bennett\, and Gene Davis. \nInstallation view of "The Daum at 20: Selections from the Collection."
URL:https://www.daummuseum.org/event/the-daum-at-20-origins-of-the-collection/
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220930
DTEND;VALUE=DATE:20230327
DTSTAMP:20260726T122355
CREATED:20230222T215547Z
LAST-MODIFIED:20230222T215547Z
UID:7598-1664496000-1679875199@www.daummuseum.org
SUMMARY:The Daum at 20: Selections from the Print Collection
DESCRIPTION:The Daum at 20 celebrates the twentieth anniversary of the museum’s opening in 2002. The museum-wide exhibition will highlight the most significant acquisitions during this time period. Since the museum’s founding\, based on the personal collection of the Daum’s primary benefactor\, Dr. Harold F. Daum\, the collection has increased from about 200 artworks to more than 2\,000. The exhibition will be divided into media\, with focuses on painting\, ceramics\, photography\, prints\, and a section devoted to the original works that were once installed in Dr. Daum’s home. Among the artists to be featured are Louise Bourgeois\, Kara Walker\, Kiki Smith\, and Roger Shimomura. \nInstallation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Roger Shimomura (American\, b. 1939)\, Kansas Samurai\, 2004; Lithograph in 7 colors; 44 ¾ x 31 in. Collection Daum Museum of Contemporary Art\, gift of Dr. Harold F DaumRoger Shimomura\, "Kansas Samurai\," 2004; Lithograph in 7 colors. Collection Daum Museum of Contemporary Art\, gift of Dr. Harold F Daum. Kara Walker\, "Exodus of Confederates from Atlanta\," from the series "Harper's Pictorial History of the Civil War" (Annotated)\, 2005; offset lithography and silkscreen. Collection Daum Museum of Contemporary Art\, partial gift of Dr. Harold F. Daum. Louise Bourgeois\, "Song of the Blacks and Blues\," 1989-1996; lithograph\, hand coloring\, gouache\, and oil stick. Collection Daum Museum of Contemporary Art.
URL:https://www.daummuseum.org/event/the-daum-at-20-selections-from-the-print-collection/
CATEGORIES:Exhibitions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220930
DTEND;VALUE=DATE:20221219
DTSTAMP:20260726T122355
CREATED:20220720T152350Z
LAST-MODIFIED:20220930T141657Z
UID:7470-1664496000-1671407999@www.daummuseum.org
SUMMARY:The Daum at 20: Selections from the Collection
DESCRIPTION:The Daum at 20 celebrates the twentieth anniversary of the museum’s opening in 2002. The museum-wide exhibition will highlight the most significant acquisitions during this time period. Since the museum’s founding\, based on the personal collection of the Daum’s primary benefactor\, Dr. Harold F. Daum\, the collection has increased from about 200 artworks to more than 2\,000. The exhibition will be divided into media\, with focuses on painting\, ceramics\, photography\, prints\, and a section devoted to the original works that were once installed in Dr. Daum’s home. Among the artists to be featured are Hung Liu\, Robert Kushner\, Akio Takamori\, Ansel Adams\, Linda Connor\, Louise Bourgeois\, Kara Walker\, Helen Frankenthaler\, and Gene Davis. \nInstallation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Installation view of "The Daum at 20: Selections from the Collection." Sergei Isupov\, "Invisible Man\," 2009; stained and glazed stoneware. Collection Daum Museum of Contemporary Art\, gift of Dr. Harold F. Daum. Richard Notkin\, "Tomorrow and Tomorrow and Tomorrow\," 2010; glazed earthenware. Collection Daum Museum of Contemporary Art\, gift of Dr. Harold F. Daum. Louise Bourgeois\, "Song of the Blacks and Blues\," 1989-1996; lithograph\, hand coloring\, gouache\, and oil stick. Collection Daum Museum of Contemporary Art. Linda Connor (American\, b. 1944)\, Untitled\, 1976; Gold chloride-toned contact print; 8 x 9.875 in. Collection Daum Museum of Contemporary Art\, gift of Drs. Antonio & Luz Racela. Jack Earl (American\, b. 1934)\, There is a Stone Story from Myth to Truth that Lives in the Soul of Man. It was Spoken Again by the King of Salem as He Laid His Hand on Abraham\, 1987; hand-built earthenware and oil paint; 36 x 16 x 14 in. Collection Daum Museum of Contemporary Art\, gift of Margaret Pennington. Archie Scott Gobber\, "The Audacity\," 2009; enamel on canvas. Collection Daum Museum of Contemporary Art\, gift of Chris John Haas\, MD\, and Pamela G. Johnson. Helen Frankenthaler\, "Trespass\," 1974\, acrylic on canvas. Collection Daum Museum of Contemporary Art.Helen Frankenthaler\, "Trespass\," 1974; acrylic on canvas. Collection Daum Museum of Contemporary Art. Peter Pincus (American\, b. 1982)\, Trio of Vessels IV\, 2016; colored porcelain with luster; 18 x 30 x 10 in. Collection Daum Museum of Contemporary Art\, museum purchase. Robert Kushner\, "Quince\," 2014; oil\, acrylic\, and gold leaf on linen; gift of Dr. Harold F. Daum. Collection Daum Museum of Contemporary Art. Kara Walker\, "Exodus of Confederates from Atlanta\," from the series "Harper's Pictorial History of the Civil War" (Annotated)\, 2005; offset lithography and silkscreen. Collection Daum Museum of Contemporary Art\, partial gift of Dr. Harold F. Daum. Richard Deon (American\, b. 1956)\, "Pacific Mask\," 1994-2003; acrylic on canvas; 102 1/2 x 80 1/2 in. Collection Daum Museum of Contemporary Art\, museum purchase.Richard Deon\, "Pacific Mask\," 1994-2003; acrylic on canvas. Collection Daum Museum of Contemporary Art\, museum purchase.
URL:https://www.daummuseum.org/event/the-daum-at-20-selections-from-the-collection/
CATEGORIES:Community Activity,Exhibitions
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