Jo Whaley, "The Dunce: A Bewildered Ruler of an Ambiguous World," 1989; Unique Polaroid photograph. Gift of Ricci Racela & Michael Bonahan.

All We Are

March 30 - August 4, 2024 Admission

Through a focus on portraits and figurative works in the collection, this exhibition spans a multiplicity of human experiences and notions of being. The work explores the complexities of identity and the way these are reflected in the depiction of the body. The diversity of perspectives in the work presented is meant to provide a point of resonance for a multiplicity of viewers. This show is meant to reflect a sample of the collective notion of humanity, inviting viewers to contemplate their place in the world.

Exhibition Photos

Installation view of “All We Are.”
Installation view of “All We Are.”
Stan Welsh, “Listen,” 2003; terra cotta and glaze. Gift of Dr. Harold F. Daum.
Installation view of “All We Are.”
Installation view of “All We Are.”
Martin Johnson, “Thus The Circle,” 2001; mixed media assemblage. Gift of “The Dorothy & Herbert Vogel Collection: Fifty Works for Fifty States”, a joint initiative of the Trustees of the Dorothy & Herbert Vogel Collections and the National Gallery of Art, with generous support of the NEA and IMLS.
Installation view of “All We Are.”
Installation view of “All We Are.”
Installation view of “All We Are.”
Jim Sajovic, “Web of Belief,” 1991; acrylic on canvas. Gift of Ron Slowinski.
Installation view of “All We Are.”
Installation view of “All We Are.”
Jo Whaley, “The Dunce: A Bewildered Ruler of an Ambiguous World,” 1989; Unique Polaroid photograph. Gift of Ricci Racela & Michael Bonahan.
Installation view of “All We Are.”
Gale Farley, Untitled, n.d.; gelatin silver print. Gift of Ricci Racela & Michael Bonahan.
Installation view of “All We Are.”
Installation view of “All We Are.”
Robert Goodnough, “Three Figures,” lithograph on paper. Gift of Universal Limited Art Editions.
Installation view of “All We Are.”
Installation view of “All We Are.”
Installation view of “All We Are.”
Larry Fink, “Two Women, Debutante Ball, Hotel Pierre, N.Y.C,” from the portfolio “Making Out, 1957-1980,” 1980; gelatin silver print. Gift of Drs. Antonio & Luz Racela.