absence • presence is an exploration of Daum’s collection built upon the framework of contrast. This context provides a method of amalgamation for dialogue about identity and existence across modes of representation and generations of makers. Kara Walker’s disruption of a historical text to tell the story of the American Civil War from the perspective of the slaves through the use of grotesque silhouettes is placed in conversation with Motherwell’s reflection on the Spanish Civil War and his perception of…

Synthesis brings together artists from across the region who are actively participating in local artist communities. It is the first of many exhibitions that seek to identify and support the artists who help to define our cultural landscape. This exhibition is open to members of the Sedalia Visual Art Association, Mid-Missouri Artists, Inc., Columbia Art League, and participants in NoBro art events.

In the colorful, experiential art of C. Finley, incandescent paintings designate sites for community, exhibitions are laboratories, and representational power is decentralized. Her art and public works produce the conditions needed to change our world, encouraging other artists to create alongside her in spaces defined by vibratory beauty where all are welcome to glimpse the utopia that is already present, that we need only lean into. C. Finley, Founder and Curator of the Every Woman Biennial and director of the…

In anticipation of Missouri Photo Workshop’s return for its 75th anniversary, this exhibition features work from the 1980 MPW that took place in Sedalia. The Missouri Photo Workshop has been documenting small-town America for over seven decades. The roots of the Missouri Photo Workshop are embedded firmly in six decades of rich tradition; current workshops carry principals present from the beginning. When the late Clifton C. Edom of the Missouri School of Journalism founded the Missouri Photo Workshop in 1949,…