color–shape–line is a selection of works from the Daum collection that focuses on abstraction since 1965. The exhibition showcases artists from around the world who have utilized the visual language of color, shape, and line to communicate their subjective experiences. Approaches from geometric to lyrical abstraction are present in this grouping.  While the degree of departure from representation varies, all the pieces in the exhibition invite the viewer to interpret and share in the process of understanding.

In anticipation of Missouri Photo Workshop’s return for its 75th anniversary, this exhibition features work from the 1980 MPW that took place in Sedalia. The Missouri Photo Workshop has been documenting small-town America for over seven decades. The roots of the Missouri Photo Workshop are embedded firmly in six decades of rich tradition; current workshops carry principals present from the beginning. When the late Clifton C. Edom of the Missouri School of Journalism founded the Missouri Photo Workshop in 1949,…

This exhibition takes the form of a familiar childhood game and is meant to enhance the desire and ability of visitors to creatively think and question the work presented. Most visitors will have heard of or played Twenty Questions, which is sometimes called animal, vegetable, or mineral. Other visitors will be familiar with the Linnaeus classification system and others will have heard of the radio and television game show of the same name. This approach provides multiple points of entry…

Vincent Frimpong (SNIPER) and Ross Junior Owusu are contemporary Ghanaian artists currently based in the United States. This two-person exhibition is a place for sharing the visual language of "What does it mean to be African?"

John F. Malta is a Cleveland, Ohio-born, multi-disciplinary artist, author, and educator. After spending most of his life along the Erie shore of Northeast Ohio he moved to New York City where he earned an MFA in Illustration As Visual Essay from The School of Visual Arts. He later relocated to Kansas City, where he works out of a studio based in the West Bottoms. His client list includes The New York Times, The New Yorker, Adult Swim, Beyond the…

Casey Whittier received her BFA from the Kansas City Art Institute and MFA from the University of Colorado at Boulder. She is interested in the metaphorical and philosophical power of visual art and the ways in which the ceramic material creates direct connections between the geology of the earth, basic human needs, and complex metaphysical desires. Repetitive processes and systems of reliance are often used as metaphors for our interconnectedness. Whittier teaches ceramics and social practice at the Kansas City…