Untitled (Not Me)

Estabrook graduated from Rhode Island College in 1969 and continued his studies at the School of the Art Institute in Chicago. In 1971 he received his Masters of Fine Arts degree in photography at the School of the Art Institute. Since graduating in 1971, Estabrook has taught at the universities of Illinois and Northern Iowa, chaired the Photography Program at Kansas City Art Institute and coordinated a new program in photography at San Jose State University. He also traveled to Sheffield, England, to participate in a Fulbright Teacher Exchange at Sheffield Polytechnic. Estabrook is now a professor of Art and Design at San Jose State University, where he has taught since 1984. His work is included in the permanent collections of the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Museum of Modern Art in New York. His work has been in numerous solo and group exhibitions.

Exercise in Solid Geometry #16

Estabrook graduated from Rhode Island College in 1969 and continued his studies at the School of the Art Institute in Chicago. In 1971 he received his Masters of Fine Arts degree in photography at the School of the Art Institute. Since graduating in 1971, Estabrook has taught at the universities of Illinois and Northern Iowa, chaired the Photography Program at Kansas City Art Institute and coordinated a new program in photography at San Jose State University. He also traveled to Sheffield, England, to participate in a Fulbright Teacher Exchange at Sheffield Polytechnic. Estabrook is now a professor of Art and Design at San Jose State University, where he has taught since 1984. His work is included in the permanent collections of the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Museum of Modern Art in New York. His work has been in numerous solo and group exhibitions.

Exercise in Solid Geometry #8

Estabrook graduated from Rhode Island College in 1969 and continued his studies at the School of the Art Institute in Chicago. In 1971 he received his Masters of Fine Arts degree in photography at the School of the Art Institute. Since graduating in 1971, Estabrook has taught at the universities of Illinois and Northern Iowa, chaired the Photography Program at Kansas City Art Institute and coordinated a new program in photography at San Jose State University. He also traveled to Sheffield, England, to participate in a Fulbright Teacher Exchange at Sheffield Polytechnic. Estabrook is now a professor of Art and Design at San Jose State University, where he has taught since 1984. His work is included in the permanent collections of the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Museum of Modern Art in New York. His work has been in numerous solo and group exhibitions.

Educational Dilemma

Estabrook graduated from Rhode Island College in 1969 and continued his studies at the School of the Art Institute in Chicago. In 1971 he received his Masters of Fine Arts degree in photography at the School of the Art Institute. Since graduating in 1971, Estabrook has taught at the universities of Illinois and Northern Iowa, chaired the Photography Program at Kansas City Art Institute and coordinated a new program in photography at San Jose State University. He also traveled to Sheffield, England, to participate in a Fulbright Teacher Exchange at Sheffield Polytechnic. Estabrook is now a professor of Art and Design at San Jose State University, where he has taught since 1984. His work is included in the permanent collections of the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Museum of Modern Art in New York. His work has been in numerous solo and group exhibitions.

Kansas City

Davis received his B.S. degree in Cinema and Photography from Southern Illinois University and his M.A. degree in the History of Art from the University of New Mexico. He held a research internship at the International Museum of Photography at George Eastman House in Rochester, New York, from 1978-79. In 1979 he became Curator of the Hallmark Fine Art Collections, Chief Curator in 1987, and Fine Arts Program Director in 1992. Davis is also an adjunct professor of Art History at the University of Missouri in Kansas City. He has curated more than sixty exhibitions from the Hallmark art and photography holdings, which have been seen in leading museums throughout the United States and in Great Britain, France, Canada, New Zealand, Australia, and Switzerland. Davis has authored twelve catalogs and books, including An American Century of Photography: From Dry-Plate to Digital and The Photographs of Dorothea Lange.

Wyoming

Davis received his B.S. degree in Cinema and Photography from Southern Illinois University and his M.A. degree in the History of Art from the University of New Mexico. He held a research internship at the International Museum of Photography at George Eastman House in Rochester, New York, from 1978-79. In 1979 he became Curator of the Hallmark Fine Art Collections, Chief Curator in 1987, and Fine Arts Program Director in 1992. Davis is also an adjunct professor of Art History at the University of Missouri in Kansas City. He has curated more than sixty exhibitions from the Hallmark art and photography holdings, which have been seen in leading museums throughout the United States and in Great Britain, France, Canada, New Zealand, Australia, and Switzerland. Davis has authored twelve catalogs and books, including An American Century of Photography: From Dry-Plate to Digital and The Photographs of Dorothea Lange.

Wyoming

Davis received his B.S. degree in Cinema and Photography from Southern Illinois University and his M.A. degree in the History of Art from the University of New Mexico. He held a research internship at the International Museum of Photography at George Eastman House in Rochester, New York, from 1978-79. In 1979 he became Curator of the Hallmark Fine Art Collections, Chief Curator in 1987, and Fine Arts Program Director in 1992. Davis is also an adjunct professor of Art History at the University of Missouri in Kansas City. He has curated more than sixty exhibitions from the Hallmark art and photography holdings, which have been seen in leading museums throughout the United States and in Great Britain, France, Canada, New Zealand, Australia, and Switzerland. Davis has authored twelve catalogs and books, including An American Century of Photography: From Dry-Plate to Digital and The Photographs of Dorothea Lange.

Untitled

On the faculty of Kansas City Art Institute since 1975, Sutton has had numerous solo and group exhibitions throughout the United States. In 1987 the Charlotte Crosby Kemper Gallery featured his work in a seven-year survey. This exhibition detailed his development and expansion of his unique style of work. He has received several honors, including the excellence award from the Society of Contemporary Photography, the MIAA-NEA Photography Fellowship and a Fulbright Grant. Sutton?s commercial work has appeared in such prestigious publications as Artforum, Time/Life Books, Ceramics Monthly, American Crafts Magazine and Art in America. The Minneapolis Institute for the Arts, the Denver Museum, and the Belger Cartage Corporation have purchased prints by Sutton. Photo Metro published his portfolios twice and his cover photograph from it won an award for magazine publishing. This professor?s artistic interest lies in photo montage that deals with time and place in collision. Sutton successfully creates new visual possibilities out of realistic concepts. Today he continues to excite viewers with his innovative style of photography.

Untitled

On the faculty of Kansas City Art Institute since 1975, Sutton has had numerous solo and group exhibitions throughout the United States. In 1987 the Charlotte Crosby Kemper Gallery featured his work in a seven-year survey. This exhibition detailed his development and expansion of his unique style of work. He has received several honors, including the excellence award from the Society of Contemporary Photography, the MIAA-NEA Photography Fellowship and a Fulbright Grant. Sutton?s commercial work has appeared in such prestigious publications as Artforum, Time/Life Books, Ceramics Monthly, American Crafts Magazine and Art in America. The Minneapolis Institute for the Arts, the Denver Museum, and the Belger Cartage Corporation have purchased prints by Sutton. Photo Metro published his portfolios twice and his cover photograph from it won an award for magazine publishing. This professor?s artistic interest lies in photo montage that deals with time and place in collision. Sutton successfully creates new visual possibilities out of realistic concepts. Today he continues to excite viewers with his innovative style of photography.