A Vertical Structure

Freed received his B.F.A. degree in 1967 and his M.A. degree in 1968 from Fort Hays State University in Kansas. He was the founding director of The Daum Museum of Contemporary Art. Freed was also the head of the art department at State Fair Community College from 1968 to 2002 and served as the Director of Goddard Gallery in Sedalia, Missouri. Freed has been an advocate for the arts for many years. As a result of his active participation in the arts, Freed received a gubernatorial appointment to the Missouri Arts Council Board from 1984-1988. He also served as the legislative liaison for the Missouri Citizens for the Arts/Senate and Legislature. Besides receiving a National Endowment for the Arts in 1987 for a Design Arts Project Special Project Grant and a ?Creative Artist Project Grant? from the Missouri Arts Council in 1990, Freed has received several other grants and fellowships. His works appear in numerous collections such as the Saint Louis Art Museum, the Newark Museum in New Jersey, the Steinberg Art Museum at Washington University in St. Louis, Missouri, and the Museum of Art and Archaeology at the University of Missouri in Columbia, Missouri. During the past twenty years he has exhibited extensively throughout the United States. Freed is represented by galleries on the east coast, west coast, and the heartland.

Berggruen Series I

The Abstract Expressionist artists preferred to be called the New York School artists. Motherwell, the youngest of the New York School artists received a bachelor?s degree in philosophy before deciding to become a painter. He was also the most affluent and educated of this group. The bohemian lifestyle of the others hardly resembled the wealthy trappings Motherwell was accustomed to. These differences in wealth and education didn?t seem to matter. Meyer Schapiro, his art history instructor introduced the European Surrealists to him and he became fast friends with most of them as well. Motherwell?s fascination with their use of automatism (the suspension of consciousness which allows one the freedom to uncover the ideas and images in the subconscious) led him to his experimentations with it. Surrealists employed conventional means when describing their findings but Motherwell believed automatism should be taken a step further than that. He felt that in the process of searching the unconscious and making discoveries about yourself, you must also retain the excitement of those moments as they become known.

Berggruen Series II

The Abstract Expressionist artists preferred to be called the New York School artists. Motherwell, the youngest of the New York School artists received a bachelor?s degree in philosophy before deciding to become a painter. He was also the most affluent and educated of this group. The bohemian lifestyle of the others hardly resembled the wealthy trappings Motherwell was accustomed to. These differences in wealth and education didn?t seem to matter. Meyer Schapiro, his art history instructor introduced the European Surrealists to him and he became fast friends with most of them as well. Motherwell?s fascination with their use of automatism (the suspension of consciousness which allows one the freedom to uncover the ideas and images in the subconscious) led him to his experimentations with it. Surrealists employed conventional means when describing their findings but Motherwell believed automatism should be taken a step further than that. He felt that in the process of searching the unconscious and making discoveries about yourself, you must also retain the excitement of those moments as they become known.

Berggruen Series IV

The Abstract Expressionist artists preferred to be called the New York School artists. Motherwell, the youngest of the New York School artists received a bachelor?s degree in philosophy before deciding to become a painter. He was also the most affluent and educated of this group. The bohemian lifestyle of the others hardly resembled the wealthy trappings Motherwell was accustomed to. These differences in wealth and education didn?t seem to matter. Meyer Schapiro, his art history instructor introduced the European Surrealists to him and he became fast friends with most of them as well. Motherwell?s fascination with their use of automatism (the suspension of consciousness which allows one the freedom to uncover the ideas and images in the subconscious) led him to his experimentations with it. Surrealists employed conventional means when describing their findings but Motherwell believed automatism should be taken a step further than that. He felt that in the process of searching the unconscious and making discoveries about yourself, you must also retain the excitement of those moments as they become known.