Connor received her Bachelors of Fine Arts degree in 1967 from the Rhode Island School of Design. In 1969 she acquired her Masters degree in photography from the Institute of Design, Illinois Institute of Technology. She was a professor of photography from 1969-1999 in the Photography Department at the San Francisco Art Institute. Her work has appeared in countless exhibitions throughout the United States and the world. Prominent museums such as the Art Institute of Chicago, the Center for Creative Photography in Tucson, the Museum of Modern Art in New York, and the J. Paul Getty Museum in Los Angeles include her works in their permanent collections. Connor?s work often offers the viewer a parallel to contemporary life. In this photograph her subject is a woman from a traditional people in an ancient setting to contrast with our modern world. This woman represents a world where there is no rush to live life. Instead, she represents a world that is more contemplative and rich in culture.
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Indian Miniature
Connor received her Bachelors of Fine Arts degree in 1967 from the Rhode Island School of Design. In 1969 she acquired her Masters degree in photography from the Institute of Design, Illinois Institute of Technology. She was a professor of photography from 1969-1999 in the Photography Department at the San Francisco Art Institute. Her work has appeared in countless exhibitions throughout the United States and the world. Prominent museums such as the Art Institute of Chicago, the Center for Creative Photography in Tucson, the Museum of Modern Art in New York, and the J. Paul Getty Museum in Los Angeles include her works in their permanent collections. Connor?s work often offers the viewer a parallel to contemporary life. In this photograph her subject is a woman from a traditional people in an ancient setting to contrast with our modern world. This woman represents a world where there is no rush to live life. Instead, she represents a world that is more contemplative and rich in culture.
Indian Miniature
Connor received her Bachelors of Fine Arts degree in 1967 from the Rhode Island School of Design. In 1969 she acquired her Masters degree in photography from the Institute of Design, Illinois Institute of Technology. She was a professor of photography from 1969-1999 in the Photography Department at the San Francisco Art Institute. Her work has appeared in countless exhibitions throughout the United States and the world. Prominent museums such as the Art Institute of Chicago, the Center for Creative Photography in Tucson, the Museum of Modern Art in New York, and the J. Paul Getty Museum in Los Angeles include her works in their permanent collections. Connor?s work often offers the viewer a parallel to contemporary life. In this photograph her subject is a woman from a traditional people in an ancient setting to contrast with our modern world. This woman represents a world where there is no rush to live life. Instead, she represents a world that is more contemplative and rich in culture.
Stones, Kau Desert, Hawaii
Connor received her Bachelors of Fine Arts degree in 1967 from the Rhode Island School of Design. In 1969 she acquired her Masters degree in photography from the Institute of Design, Illinois Institute of Technology. She was a professor of photography from 1969-1999 in the Photography Department at the San Francisco Art Institute. Her work has appeared in countless exhibitions throughout the United States and the world. Prominent museums such as the Art Institute of Chicago, the Center for Creative Photography in Tucson, the Museum of Modern Art in New York, and the J. Paul Getty Museum in Los Angeles include her works in their permanent collections. Connor?s work often offers the viewer a parallel to contemporary life. In this photograph her subject is a woman from a traditional people in an ancient setting to contrast with our modern world. This woman represents a world where there is no rush to live life. Instead, she represents a world that is more contemplative and rich in culture.
Birth of Venus
Connor received her Bachelors of Fine Arts degree in 1967 from the Rhode Island School of Design. In 1969 she acquired her Masters degree in photography from the Institute of Design, Illinois Institute of Technology. She was a professor of photography from 1969-1999 in the Photography Department at the San Francisco Art Institute. Her work has appeared in countless exhibitions throughout the United States and the world. Prominent museums such as the Art Institute of Chicago, the Center for Creative Photography in Tucson, the Museum of Modern Art in New York, and the J. Paul Getty Museum in Los Angeles include her works in their permanent collections. Connor?s work often offers the viewer a parallel to contemporary life. In this photograph her subject is a woman from a traditional people in an ancient setting to contrast with our modern world. This woman represents a world where there is no rush to live life. Instead, she represents a world that is more contemplative and rich in culture.
Unrequited Love-Indian Miniature
Connor received her Bachelors of Fine Arts degree in 1967 from the Rhode Island School of Design. In 1969 she acquired her Masters degree in photography from the Institute of Design, Illinois Institute of Technology. She was a professor of photography from 1969-1999 in the Photography Department at the San Francisco Art Institute. Her work has appeared in countless exhibitions throughout the United States and the world. Prominent museums such as the Art Institute of Chicago, the Center for Creative Photography in Tucson, the Museum of Modern Art in New York, and the J. Paul Getty Museum in Los Angeles include her works in their permanent collections. Connor?s work often offers the viewer a parallel to contemporary life. In this photograph her subject is a woman from a traditional people in an ancient setting to contrast with our modern world. This woman represents a world where there is no rush to live life. Instead, she represents a world that is more contemplative and rich in culture.
Hand with Shell
Connor received her Bachelors of Fine Arts degree in 1967 from the Rhode Island School of Design. In 1969 she acquired her Masters degree in photography from the Institute of Design, Illinois Institute of Technology. She was a professor of photography from 1969-1999 in the Photography Department at the San Francisco Art Institute. Her work has appeared in countless exhibitions throughout the United States and the world. Prominent museums such as the Art Institute of Chicago, the Center for Creative Photography in Tucson, the Museum of Modern Art in New York, and the J. Paul Getty Museum in Los Angeles include her works in their permanent collections. Connor?s work often offers the viewer a parallel to contemporary life. In this photograph her subject is a woman from a traditional people in an ancient setting to contrast with our modern world. This woman represents a world where there is no rush to live life. Instead, she represents a world that is more contemplative and rich in culture.
Hoof, Kathmandu, Nepal
Connor received her Bachelors of Fine Arts degree in 1967 from the Rhode Island School of Design. In 1969 she acquired her Masters degree in photography from the Institute of Design, Illinois Institute of Technology. She was a professor of photography from 1969-1999 in the Photography Department at the San Francisco Art Institute. Her work has appeared in countless exhibitions throughout the United States and the world. Prominent museums such as the Art Institute of Chicago, the Center for Creative Photography in Tucson, the Museum of Modern Art in New York, and the J. Paul Getty Museum in Los Angeles include her works in their permanent collections.
Exercise in Solid Geometry #29
Estabrook graduated from Rhode Island College in 1969 and continued his studies at the School of the Art Institute in Chicago. In 1971 he received his Masters of Fine Arts degree in photography at the School of the Art Institute. Since graduating in 1971, Estabrook has taught at the universities of Illinois and Northern Iowa, chaired the Photography Program at Kansas City Art Institute and coordinated a new program in photography at San Jose State University. He also traveled to Sheffield, England, to participate in a Fulbright Teacher Exchange at Sheffield Polytechnic. Estabrook is now a professor of Art and Design at San Jose State University, where he has taught since 1984. His work is included in the permanent collections of the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Museum of Modern Art in New York. His work has been in numerous solo and group exhibitions. Exercise in Solid Geometry, #29 is a striking print that immediately attracts the attention of the viewer. Estabrook brings cohesiveness to this abstract composition with the use of geometry, symmetry and vivid colors. In his artist?s statement, Estabrook aptly describes his own work as eclectic.
Seeing Red (Beach Sunset)
Estabrook graduated from Rhode Island College in 1969 and continued his studies at the School of the Art Institute in Chicago. In 1971 he received his Masters of Fine Arts degree in photography at the School of the Art Institute. Since graduating in 1971, Estabrook has taught at the universities of Illinois and Northern Iowa, chaired the Photography Program at Kansas City Art Institute and coordinated a new program in photography at San Jose State University. He also traveled to Sheffield, England, to participate in a Fulbright Teacher Exchange at Sheffield Polytechnic. Estabrook is now a professor of Art and Design at San Jose State University, where he has taught since 1984. His work is included in the permanent collections of the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Museum of Modern Art in New York. His work has been in numerous solo and group exhibitions.